W. H. Auden's 'Law Like Love' had a release date set for April 25, 2011. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Law Like Love's duration is considered a little bit shorter than the average duration of a typical track. This song is part of W. H. Auden Reads His Poems by W. H. Auden. The song's track number on the album is #12 out of 17 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Law Like Love is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
Since Law Like Love by W. H. Auden has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Law Like Love being at 91 BPM, the half-time would be 46 BPM with a double-time of 182 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
The music key of this track is F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chapter 11: Full Moon Over Falkenstein | Bibi and Tina | A Major | 2 | 11B | 97 BPM | ||
| Next to of Course God America | E.E. Cummings | B♭ Minor | 2 | 3A | 137 BPM | ||
| Teil 1 - Kasperle und der Räuber Plumps | Kasperle, Peter Jacob, Kasperle-Theater "bi-ba-bo" | D♭ Major | 3 | 3B | 82 BPM | ||
| Resonating with Presence | Eckhart Tolle | G Minor | 5 | 6A | 59 BPM | ||
| Irony | Emmanuel | C Major | 0 | 8B | 140 BPM | ||
| Sadmin | Hannah Gadsby | D Minor | 1 | 7A | 101 BPM | ||
| Do Not Go Gentle Into That Good Night | Dylan Thomas | D♭ Major | 1 | 3B | 81 BPM | ||
| Slaughterhouse 5, Pt. 10 | Kurt Vonnegut | F Major | 1 | 7B | 87 BPM | ||
| Leaving Early | Sylvia Plath | F Minor | 0 | 4A | 130 BPM | ||
| In Memory of W.B. Yeats | W. H. Auden | A Minor | 1 | 8A | 85 BPM | ||
| Lesson 1d | Kieran Ball | B♭ Minor | 1 | 3A | 133 BPM | ||
| Tell Me I'm Pretty (or I'll Set Myself on Fire) | Nik_Poetry | D♭ Major | 2 | 3B | 54 BPM | ||
| The Fox.2 - The Little Prince | Antoine de Saint-Exupéry | F♯ Major | 2 | 2B | 82 BPM | ||
| The Man In The Mirror | Busta Dogo | F Minor | 4 | 4A | 92 BPM | ||
| Lesson 12b | Kieran Ball | B♭ Minor | 0 | 3A | 129 BPM | ||
| Elegy for J.F.K. · für Sopran, 2 Klarinetten und Altklarinette | Igor Stravinsky, W. H. Auden, Carol Richardson/Trio di Clarone | A♭ Major | 1 | 4B | 79 BPM | ||
| Radically | ShowBoy | D Major | 1 | 10B | 133 BPM | ||
| Funeral Blues | Cédric Tour, W. H. Auden | G Minor | 2 | 6A | 105 BPM | ||
| Dulce Et Decorum Est | Penny Rimbaud | A♭ Major | 2 | 4B | 130 BPM | ||
| Through a Glass, Darkly: VII. Lay Your Sleeping Head | Martin Bussey, W. H. Auden, Marcus Farnsworth, Thomas Kemp | F♯ Major | 1 | 2B | 77 BPM | ||
| Musée Des Beaux Arts | W. H. Auden | F♯ Major | 3 | 2B | 84 BPM | ||
| Mock Orange | Louise Gluck | B♭ Minor | 4 | 3A | 111 BPM | ||
| Dreams | Langston Hughes | D Major | 1 | 10B | 171 BPM | ||
| Church Going | Philip Larkin | D♭ Major | 1 | 3B | 141 BPM | ||
| Adam and Eve | Bible Dreaming | D♭ Major | 6 | 3B | 86 BPM |