"#3 Ashed" by Trevor Rabin had its release date on January 1, 2011. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Trevor Rabin's "I Am Number Four (Original Motion Picture Soundtrack)" album is number 2 out of 21. On top of that, United States appears to be the country where this track was created. #3 Ashed is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of #3 Ashed by Trevor Rabin to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Arrival at Aslan's How | Harry Gregson-Williams | F♯ Major | 2 | 2B | 74 BPM | ||
| Angel of Verdun (Main Title) | Christophe Beck | G Major | 2 | 9B | 118 BPM | ||
| The Ascension | Roque Baños | D Minor | 2 | 7A | 61 BPM | ||
| Godfrey | Marc Streitenfeld | F♯ Minor | 2 | 11A | 157 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| Into the Fog | Iva Davies, Richard Tognetti, Christopher Gordon | A♭ Major | 5 | 4B | 180 BPM | ||
| The Surgery (X-Files: I Want To Believe OST) | Mark Snow | A Minor | 2 | 8A | 68 BPM | ||
| Farewell / End Title | John Barry | G Major | 1 | 9B | 143 BPM | ||
| I Was Not Brave | Harald Kloser, Thomas Wander | G Minor | 1 | 6A | 55 BPM | ||
| Oil Rig | Trevor Rabin | C Major | 7 | 8B | 125 BPM | ||
| A Journey to Hogwarts | Nicholas Hooper | A Minor | 1 | 8A | 78 BPM | ||
| Wonders Of An Ancient Glory - Dragonheart/Soundtrack Version | Randy Edelman | C Major | 2 | 8B | 59 BPM | ||
| Septimus | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 7 | 9B | 154 BPM | ||
| Tennyson | Thomas Newman, George Doering, John Beasley, Paul Clarvis, Frank Ricotti, Sonia Slany, Phil Todd, John Parricelli | B♭ Minor | 1 | 3A | 158 BPM | ||
| Blood, Or Texas - Score | Carter Burwell | E Minor | 0 | 9A | 85 BPM | ||
| Old Town | Declan Seth, Morgan Richards | F♯ Major | 1 | 2B | 105 BPM | ||
| The Legend of Excalibur | Daniel Pemberton | G Major | 3 | 9B | 89 BPM | ||
| A Promise | Alan Silvestri | E Minor | 3 | 9A | 75 BPM | ||
| Poe Meets Larkin | Trevor Rabin, Mark Mancina | D Major | 1 | 10B | 80 BPM | ||
| Humans / Diego | David Newman | G Major | 3 | 9B | 80 BPM | ||
| Main Title | James Horner | C Major | 0 | 8B | 169 BPM | ||
| To Camp Four | Dario Marianelli | D Major | 2 | 10B | 140 BPM | ||
| The All Spark | Steve Jablonsky | D Minor | 3 | 7A | 150 BPM | ||
| Mayflies - From "Our Planet" | Steven Price | F♯ Major | 3 | 2B | 108 BPM | ||
| My Name Is Lincoln | Steve Jablonsky | C Major | 4 | 8B | 132 BPM |