Ricardo Tanturi y Enrique Campos's ' "Buenos Aires del 40" was released on its scheduled release date, April 12, 2000. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Buenos Aires del 40's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 12 in Buenos Aires del '40 by Ricardo Tanturi y Enrique Campos. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. In terms of popularity, Buenos Aires del 40 is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Buenos Aires del 40 by Ricardo Tanturi y Enrique Campos is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bajo un Cielo de Estrellas | Orquesta Típica Sans Souci | A Major | 4 | 11B | 99 BPM | ||
| Una Emoción | Lucio Demare, Raúl Berón | F♯ Minor | 2 | 11A | 121 BPM | ||
| Adiós Pueblo | Orquesta Típica Tanturi | B♭ Major | 3 | 6B | 129 BPM | ||
| Pedacito de cielo, Romance de barrio, Un placer - Selección de valses estilo Aníbal Troilo | SEXTETO VISCERAL | A Major | 5 | 11B | 100 BPM | ||
| Esta Noche De Luna | José García Y Sus Zorros Grises | G Minor | 4 | 6A | 123 BPM | ||
| Vencida | Nina Miranda, Donato Racciatti y Su Orquesta Típica | G Major | 4 | 9B | 141 BPM | ||
| Al pibe lo tengo yo | Ricardo Tanturi y Enrique Campos | C Major | 4 | 8B | 115 BPM | ||
| Cuando seas mayorcito | Ricardo Tanturi y Enrique Campos | A♭ Major | 4 | 4B | 114 BPM | ||
| Recuerdo Malevo | Orquesta Típica Tanturi, Roberto Malevo | A Minor | 0 | 8A | 85 BPM | ||
| Volvé | Adolfo Carabelli, Mercedes Simone | D Minor | 4 | 7A | 124 BPM | ||
| Que Solo Estoy | Carlos Di Sarli, Alberto Podestá | D Minor | 3 | 7A | 117 BPM | ||
| Didi | Rodolfo Biagi Y Su Orquesta Tipica | A Major | 2 | 11B | 131 BPM | ||
| Pena de Amor | Lucio Demare, Raúl Berón | F♯ Minor | 2 | 11A | 121 BPM | ||
| Fueye | Francisco Fiorentino | D Major | 3 | 10B | 126 BPM | ||
| Trasnochando | Angel D'Agostino Y Su Orquesta Típica | D Minor | 2 | 7A | 117 BPM | ||
| Dimelo al oido | Orquestra Francisco Lomuto, Alberto Rivera | B♭ Major | 3 | 6B | 122 BPM | ||
| Organito de la tarde | Orquesta Rodolfo Biagi, Cátulo Castillo, José Gonzalez Castillo | D Major | 3 | 10B | 142 BPM | ||
| Andate por Dios | Pablo Ramos & los Herederos del Compás | E Minor | 4 | 9A | 101 BPM | ||
| La Melodía del Corazon | Hyperion Ensemble | C Major | 3 | 8B | 129 BPM | ||
| Andate con ella | Ricardo Tanturi y Enrique Campos | D♭ Minor | 3 | 12A | 114 BPM | ||
| Derecho Viejo | La Juan D'Arienzo | F Minor | 4 | 4A | 135 BPM | ||
| Don Pacifico | Orquesta Juan D' Arienzo | C Major | 5 | 8B | 129 BPM | ||
| Esta Noche al Pasar | Pedro Laurenz, Jorge Linares | G Minor | 2 | 6A | 121 BPM | ||
| Soy muchacho de la guardia | Orquesta Anibal Troilo, Francisco Fiorentino | C Major | 3 | 8B | 129 BPM | ||
| Palomita mia | Ricardo Tanturi y Enrique Campos | D Major | 4 | 10B | 122 BPM |