Anitha Krishna's ' "Thamarai Poovil" was released on its scheduled release date, December 1, 1981. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 29 in Divine Collections, Vol. 1 & 2 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Thamarai Poovil is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Thamarai Poovil by Anitha Krishna is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Anpolikkai | Perumbavoor G. Raveendranath, Saritha Rajiv, Ravisankar. R | A Minor | 7 | 8A | 144 BPM | ||
| Sri Hari Seshadri | Gopikapoornima, Ramu, Muralidhar & Chorus | E Minor | 5 | 9A | 101 BPM | ||
| Huli Karadi Kunidavo | L.N. Shastri | G Major | 6 | 9B | 150 BPM | ||
| Kolai Konda Porvizhi | Venkatesan Thirunaukkarasu | C Major | 6 | 8B | 140 BPM | ||
| Aarrattupuzhayollam | Vijay Yesudas | A Minor | 7 | 8A | 90 BPM | ||
| Pillaiyare Pillaiyare | Sakthidaasan | A Major | 7 | 11B | 98 BPM | ||
| Ani Anathiche | G Balakrishna Prasad | D Major | 4 | 10B | 120 BPM | ||
| Gowri | Ramesh Murali | D Major | 7 | 10B | 160 BPM | ||
| Naamamekidunnu Njangal | Vejesh | A♭ Major | 7 | 4B | 169 BPM | ||
| Veedhula Veedhula | G Balakrishna Prasad | C Major | 5 | 8B | 95 BPM | ||
| Seethala Varija | V2S2 | F♯ Minor | 8 | 11A | 150 BPM | ||
| Hasugusu Ammana Arasutha | Vidyabhushana | C Major | 5 | 8B | 57 BPM | ||
| Ae Galli Dani Durana Agali | S. Janaki | C Minor | 10 | 5A | 106 BPM | ||
| Indariki Abhayambu | Jayasari, Gayathri | B Major | 4 | 1B | 135 BPM | ||
| Shanivaara Banthamma | Puttur Narasimha Nayak, B. R. Chaya, K.S. Surekha, R. Shamitha | A Major | 5 | 11B | 122 BPM | ||
| Siva Chalisa | MULA SRI LATHA | B Major | 5 | 1B | 152 BPM | ||
| Gowriya Kandana Swami | Narasimhanayak Puttur, B. R. Chaya, K.S. Surekha | E Minor | 5 | 9A | 105 BPM | ||
| Sugamaana Sumaiyodu - Language: Tamil; Genre: Ayyappan | Sakthidaasan | D Major | 7 | 10B | 121 BPM | ||
| Omkara Nayagane | Anitha Krishna | C Minor | 7 | 5A | 178 BPM | ||
| Yogee | Sakthiraj, Latha, Amurthavalli | E♭ Minor | 6 | 2A | 140 BPM | ||
| Telavarujamochhina | Anitha Krishna, Ritesh Singh | B Minor | 9 | 10A | 127 BPM | ||
| Abisheka Aaraathanai | Unnikrishnan | E Major | 8 | 12B | 120 BPM | ||
| Tamboori Meetidava | Aradhya Rao | E♭ Minor | 6 | 2A | 150 BPM | ||
| Kogile Dwani | Puttur Narasimha Nayak | F♯ Major | 5 | 2B | 112 BPM | ||
| Maamalai Meedil | Anitha Krishna | D Major | 7 | 10B | 163 BPM |