Parvez Mehdi's ' "Saat Suron Ka Behta Darya" was released on its scheduled release date, January 1, 1979. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Parvez Mehdi's "Ghazals To Remember" album is number 2 out of 6. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Saat Suron Ka Behta Darya's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Saat Suron Ka Behta Darya by Parvez Mehdi to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kya Milega Kisiko Kisise | Talat Aziz | E Major | 4 | 12B | 134 BPM | ||
| Ghazal - Ae Husn-E-Beparva Tujhe Shabnam Kahun Shola Kahun (with Sultan Khan) | Ghulam Ali, Sultan Khan | D♭ Major | 4 | 3B | 109 BPM | ||
| Ambwa Ki Dariyon Pe | Iqbal Bano | D♭ Major | 6 | 3B | 83 BPM | ||
| Tunjhey Hijr E Firaq Mein Mahe Lakka | Qamar Soomro | G Minor | 7 | 6A | 77 BPM | ||
| Barre Be Marawat Hain | Surriya Multanikar | E♭ Major | 6 | 5B | 134 BPM | ||
| Konplen Phir Phoot Aaieen | Mehdi Hassan | B Major | 6 | 1B | 131 BPM | ||
| Zindagi Mein Toh Sabhi Pyar Kiya Karte Hain | Mehdi Hassan | F Major | 4 | 7B | 148 BPM | ||
| Ye Dhuwaan Sa Kahaan Se | Muhammad Ali | F Major | 7 | 7B | 126 BPM | ||
| Asar Us Ko | Muslim Shaggan | B♭ Minor | 2 | 3A | 70 BPM | ||
| Ghar Wapis Jab Aao Ge | Asad Amanat Ali Khan | B♭ Major | 4 | 6B | 140 BPM | ||
| Chalak rahi hain mastian nashay main doob utha jahan (From "Raaz") | Ahmed Rushdi, Zubaida Khanum | C Major | 3 | 8B | 78 BPM | ||
| Dil e Umeed Tora Hai Kisi Ne | Asif Ali Santoo Khan Qawwal | A Minor | 6 | 8A | 163 BPM | ||
| Goriye Main Jana pardes | Parvez Mehdi | F♯ Minor | 2 | 11A | 152 BPM | ||
| Kitaab-e-Umr Ka Ek Aur Baab Khatm Hua | Farida Khanum | D♭ Major | 4 | 3B | 81 BPM | ||
| Jadon Saal Solhvan Aave | Humera Channa, Parvez Mehdi | A Major | 8 | 11B | 88 BPM | ||
| Sanwal Mor Muharran | Shafqat Ali Khan | D♭ Minor | 4 | 12A | 133 BPM | ||
| Miani Salam Nikhna | Rashid Jahangir | C Minor | 5 | 5A | 130 BPM | ||
| Ae Dil Kisi Ki Yaad Mein | Naseem Begum | B♭ Major | 2 | 6B | 80 BPM | ||
| Voh Sakh Jo Gul | Parvez Mehdi | F♯ Minor | 3 | 11A | 142 BPM | ||
| Wari Wari Piya Tunji | Rajab Faqeer | C Major | 9 | 8B | 172 BPM | ||
| Woh Jo Hum Men Tum Mem Qarar Tha | Begum Akhtar | D Minor | 5 | 7A | 114 BPM | ||
| Tu Abhi Se Waqif - E - Gham Na Ho | Ahmed Hussain, Mohammed Hussain | A♭ Minor | 4 | 1A | 122 BPM | ||
| Main Nazar Say Pee Raha Hoon | Munni Begum | F♯ Minor | 6 | 11A | 80 BPM | ||
| Tere Qareeb Rahun Ya | Chandan Dass | A♭ Major | 5 | 4B | 100 BPM | ||
| Ja We Pardesya | Reshma, Parvez Mehdi | F Minor | 4 | 4A | 82 BPM |