"Dialogue: II. Chorale. Lento" by Geoffrey Bush, Neil Black had its release date on January 1, 1979. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 10 in Bush: Dialogue, Oboe Trio, Wind Quintet & Air and Round-O by Geoffrey Bush, English Chamber Orchestra Wind Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Dialogue: II. Chorale. Lento is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dialogue: II. Chorale. Lento by Geoffrey Bush, Neil Black is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lord Arthur Savile's Crime: For What The Dean Is About to Receive - Interlude No. 2 | Geoffrey Bush, Donald Maxwell, David Johnson, London Musicians Orchestra, Simon Joly | D♭ Minor | 4 | 12A | 134 BPM | ||
| Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | C Major | 3 | 8B | 106 BPM | ||
| Grieg: Holberg Suite, Op. 40: I. Praeludium | Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra | G Major | 1 | 9B | 144 BPM | ||
| Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | G Major | 1 | 9B | 118 BPM | ||
| Gluck: Orphée et Eurydice, Wq. 41, Act 2: Danse des ombres heureuses | Christoph Willibald Gluck, Sir Neville Marriner, Academy of St. Martin in the Fields, Paul Davies | F Major | 0 | 7B | 76 BPM | ||
| Czech Suite, Op. 39: I. Preludium. Pastorale | Antonín Dvořák, Janáček Philharmonic Orchestra, Theodore Kuchar | F♯ Major | 1 | 2B | 86 BPM | ||
| Piano Concerto No.1 In G Minor, Op.25, MWV O7: 3. Presto | Felix Mendelssohn, Jean-Yves Thibaudet, Gewandhausorchester, Herbert Blomstedt | G Major | 2 | 9B | 97 BPM | ||
| Who is Sylvia?, Op.18, No.2 - Instrumental | Gerald Finzi, Nicolas Fleury, Aurora Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 138 BPM | ||
| Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, Metamorphose String Orchestra, Pavel Lyubomudrov | G Major | 3 | 9B | 78 BPM | ||
| Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 96 BPM | ||
| Symphony No. 5 in B Flat Major, D. 485: II. Andante con moto | Franz Schubert, Chamber Orchestra of Europe, Claudio Abbado | E♭ Major | 1 | 5B | 81 BPM | ||
| Three Songs of Ben Jonson: I. Echo's lament for Narcissus | Geoffrey Bush, Ian Partridge | F Major | 1 | 7B | 109 BPM | ||
| Irish Isles Suite: I. Achill Island | Ailbhe McDonagh, RTE Concert Orchestra, David Brophy | A Minor | 1 | 8A | 72 BPM | ||
| Vremena goda (the Seasons), Op. 67: Autumn. Petit Adagio [1] | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A Major | 0 | 11B | 81 BPM | ||
| Suite in A Major "American Suite", Op. 98b, B. 190: IV. Andante | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | C Major | 0 | 8B | 63 BPM | ||
| St. Paul's Suite, Op. 29 No. 2: I. Jig | Gustav Holst, Budapest Strings, Karoly Botvay | C Major | 1 | 8B | 129 BPM | ||
| Vallflickans Dance (Dance of the Shepherdess from the ballet-pantomime Bergakungen, Op. 37) | Hugo Alfvén, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra | G Major | 1 | 9B | 147 BPM | ||
| Lord Arthur Savile's Crime: And Now I Want You All to Meet Mr. Podgers | Geoffrey Bush, John Winfield, Lynne Dawson, Anne Collins, Geoffrey Moses, Eirian James, Anne Pashley, Alan Watt, David Johnson, London Musicians Orchestra, Simon Joly | G Minor | 1 | 6A | 80 BPM | ||
| Donna Diana: Overture | Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 102 BPM | ||
| Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 0 | 7B | 74 BPM | ||
| Capriol Suite: V. Pieds-en-l'air | Peter Warlock, Büyükada Ensemble, James Ross | G Major | 2 | 9B | 142 BPM | ||
| Il Mondo di Federico - Piccola Suite per Orchestra | Maurizio Fabrizio, Orchestra Filarmonica Gioachino Rossini, Donato Renzetti | F Major | 2 | 7B | 95 BPM | ||
| Lieder ohne Worte I, Op. 19b: VI. Andante sostenuto "Venetian Gondola Song", MWV U78 (Arr. Ottensamer for Clarinet & Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
| Litolff: Concerto symphonique No. 4 in D Minor, Op. 102: II. Scherzo | Henry Litolff, San Francisco Symphony, Michael Tilson Thomas | D Minor | 3 | 7A | 122 BPM |