"Créditos - La Identidad Inaccesible" by Alberto Iglesias had its release date on May 7, 2012. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Alberto Iglesias's "La Piel Que Habito (Banda Sonora Original)" album is number 15 out of 15. On top of that, Spain appears to be the country where this track was created. The popularity of Créditos - La Identidad Inaccesible is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Créditos - La Identidad Inaccesible by Alberto Iglesias to be Vivace (lively and fast) because the track has a tempo of 162 BPM, a half-time of 81BPM, and a double-time of 324 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Are Not Alone | Angelo Milli | F♯ Minor | 2 | 11A | 68 BPM | ||
| El faro de las orcas (Despertar) | Pascal Gaigne | A Major | 1 | 11B | 124 BPM | ||
| Tailing Tom | Jeff Russo | G Minor | 0 | 6A | 173 BPM | ||
| Les tourments | Philippe Rombi | D♭ Major | 2 | 3B | 70 BPM | ||
| Dickie's Ring | Jeff Russo | G Minor | 0 | 6A | 173 BPM | ||
| Traum (From "Phoenix") | Stefan Will | B Major | 1 | 1B | 99 BPM | ||
| Because This Must Be | Nils Frahm | C Minor | 1 | 5A | 133 BPM | ||
| Mujeres al Borde de un Ataque de Nervios (From "Mujeres al Borde de un Ataque de Nervios") | Bernardo Bonezzi | E♭ Major | 4 | 5B | 93 BPM | ||
| Moving to the Ghetto Oct. 31, 1940 | Wojciech Kilar, Tadeusz Strugala, The Warsaw Philharmonic National Orchestra of Poland, Hanna Wolczedska | A Minor | 0 | 8A | 101 BPM | ||
| Tim's Eyes | Angelo Milli | B Minor | 0 | 10A | 105 BPM | ||
| Ghostly hope | AI Creations | E Major | 3 | 12B | 78 BPM | ||
| Opening Music | Nicholas Britell | G Major | 2 | 9B | 87 BPM | ||
| Still Life | Elliot Goldenthal | G Minor | 0 | 6A | 74 BPM | ||
| On Y Va | Pascal Gaigne | C Minor | 2 | 5A | 174 BPM | ||
| Elizabeth - Original Motion Picture Soundtrack: Love Theme | David Hirschfelder, Unknown Orchestra | B♭ Major | 1 | 6B | 80 BPM | ||
| Not Fall In Love | Marios Takoushis | D Major | 1 | 10B | 131 BPM | ||
| How Sweet The Moonlight [The Merchant of Venice] | Jocelyn Pook, Andreas Scholl, Baroque String Quartet, Siobhán Armstrong, Harvey Brough, Elizabeth Kenny | E♭ Major | 1 | 5B | 135 BPM | ||
| Persephone's Despair | James Schafer | D Major | 1 | 10B | 131 BPM | ||
| Slave Raid | Balanescu Quartet | B♭ Major | 4 | 6B | 98 BPM | ||
| Spartacus Love Theme | Alex North | A Minor | 3 | 8A | 108 BPM | ||
| The Spanish Prisoner | Brussells Philharmonic, Dirk Brossé | C Minor | 2 | 5A | 83 BPM | ||
| The Floating Bed | Elliot Goldenthal | A Minor | 5 | 8A | 174 BPM | ||
| Car Drive / Memory Box | Andrew Simon McAllister | B♭ Major | 1 | 6B | 80 BPM | ||
| Extremely Loud and Incredibly Close | Alexandre Desplat, Jean-Yves Thibaudet | A Minor | 0 | 8A | 79 BPM | ||
| Puppet Love (From "Being John Malkovich") | Brussells Philharmonic, Dirk Brossé | E Minor | 2 | 9A | 138 BPM |