On November 17, 2005, the song "The Uke is on the March" was released by Ian Whitcomb, Lyle Ritz. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Words and Music (1967-2005) by Ian Whitcomb. The song's track number on the album is #10 out of 26 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, The Uke is on the March is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since The Uke is on the March by Ian Whitcomb, Lyle Ritz has a tempo of 107 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Uke is on the March being at 107 BPM, the half-time would be 54 BPM with a double-time of 214 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Poor But Honest | Ian Whitcomb | F Major | 9 | 7B | 137 BPM | ||
| Destiny | Sydney Baynes, I Salonisti, Thomas Füri, Lorenz Hasler, Ferenc Szedlak, Bela Szedlak, Werner Giger | A Major | 1 | 11B | 84 BPM | ||
| Five Foot Two Eyes of Blue - 2003 Remaster | Mrs Mills | C Major | 7 | 8B | 104 BPM | ||
| Jubilee Rag | Winifred Atwell | D Major | 3 | 10B | 133 BPM | ||
| Honlulu Baby (Sons Of the Desert -Fraternally Yours 1933) | Laurel and Hardy | B♭ Minor | 4 | 3A | 86 BPM | ||
| Vieni, Vieni | Rudy Vallee | G Minor | 3 | 6A | 165 BPM | ||
| A Pretty Girl Is Like a Melody | Rudy Vallee | C Major | 2 | 8B | 122 BPM | ||
| Quilty's Caper (School Dance) | Nelson Riddle | A Minor | 5 | 8A | 79 BPM | ||
| Waiting For The Robert E Lee | Claude Bolling | C Major | 5 | 8B | 131 BPM | ||
| Alexander's Ragtime Band (studio) | Ian Whitcomb, The White Star Orchestra | F Major | 2 | 7B | 147 BPM | ||
| Pineapple Rag / Gladiolus Rag - From "The Sting" Soundtrack | Marvin Hamlisch | B♭ Major | 5 | 6B | 177 BPM | ||
| Leaning on a Lamp Post | George Formby | C Major | 3 | 8B | 137 BPM | ||
| I Go Crazy | Bluesville, Ian Whitcomb | D♭ Major | 9 | 3B | 65 BPM | ||
| Too Many Cars On The Road | Ian Whitcomb | G Major | 9 | 9B | 140 BPM | ||
| Lavender Time | Ezea Jenkinson | C Major | 2 | 8B | 134 BPM | ||
| Mean to Me | Annette Hanshaw | A Major | 2 | 11B | 108 BPM | ||
| California Here I Come | Betty Johnson | D Minor | 3 | 7A | 86 BPM | ||
| Goodnight Vienna | Jack Buchanan | D Major | 2 | 10B | 76 BPM | ||
| Dainty Miss | Bernard Barnes, Anthony Godwin, Palm Court Theatre Orchestra | D Major | 3 | 10B | 134 BPM | ||
| When Irish Eyes Are Smiling | John McCormack | C Major | 3 | 8B | 87 BPM | ||
| Restaurant Interior | Original Soundtrack | A Major | 2 | 11B | 115 BPM | ||
| Manhattan Spiritual | Reg Owen | A♭ Major | 4 | 4B | 98 BPM | ||
| Coon Hollow Capers | Mikha Violin | B♭ Major | 3 | 6B | 109 BPM | ||
| Joplin: The Cascades | New England Conservatory Ragtime Ensemble | E Major | 5 | 12B | 103 BPM | ||
| Mairzy Doats | The Merry Macs | F Minor | 2 | 4A | 157 BPM |