"Already Taken (feat. Tim Pierce)" by Andrew Synowiec, Tim Pierce had its release date on May 3, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Second Story". In this album, this song's track order is #5. Based on our statistics, Already Taken (feat. Tim Pierce)'s popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Already Taken (feat. Tim Pierce) by Andrew Synowiec, Tim Pierce having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pulse of the Cosmos | Steve Cheung | G Major | 9 | 9B | 130 BPM | ||
| Broken Machine | Brian Grey | A Minor | 7 | 8A | 80 BPM | ||
| Five O Clock Somewhere | Jan Cyrka, James Graydon, Josh Meader | D Major | 7 | 10B | 197 BPM | ||
| The Grove of Sorrow | Instrumentalista, Lost in Blues, BluesBiz | G Major | 8 | 9B | 162 BPM | ||
| Sharkflight | Guitarwhat? | B♭ Major | 5 | 6B | 124 BPM | ||
| Thirsty for It | Ayumi Ishito | F Major | 4 | 7B | 86 BPM | ||
| Lushin | Tobias Quinto | A Major | 4 | 11B | 90 BPM | ||
| Future History, Pt. 2 | Ambient Den | G Major | 8 | 9B | 160 BPM | ||
| Liquid Moves | Bernd Kofler | E Minor | 7 | 9A | 100 BPM | ||
| Fat Hair | Josh Smith | A Minor | 5 | 8A | 134 BPM | ||
| Unbound | Alex Skolnick Trio | E Minor | 8 | 9A | 134 BPM | ||
| Blu Tonique | Le Club Pastello | F Minor | 6 | 4A | 94 BPM | ||
| Where the Road Ends | The Grand Arrows Rock&Roll Band | D♭ Major | 6 | 3B | 93 BPM | ||
| Show Open | Andrew Synowiec | A Major | 9 | 11B | 174 BPM | ||
| La souplesse du style | Ahma Hamad | B♭ Major | 5 | 6B | 140 BPM | ||
| The Squeaky Wheel | Funkwrench Blues, Scott Holt | G Major | 8 | 9B | 162 BPM | ||
| Put A Lid On It | Wen Tilley | A♭ Major | 8 | 4B | 121 BPM | ||
| Canyon Run | Mark Lettieri | B Major | 7 | 1B | 117 BPM | ||
| Little Miss Perfect | Henrik Carlsen | G Minor | 9 | 6A | 90 BPM | ||
| Black Clouds | Saverio Maccne | D Major | 9 | 10B | 117 BPM | ||
| New Morning | Scott McKeon | G Major | 5 | 9B | 105 BPM | ||
| Slow Dance to Goodbye | Dann Huff, Paul Franklin | A♭ Major | 5 | 4B | 184 BPM | ||
| Bland Parenthood | Why Dog Why, Andrew Synowiec, Sean Hurley, Jake Reed | E Minor | 8 | 9A | 154 BPM | ||
| Kiss Your Girlfriend With That | Andrew Synowiec, Devin Bronson, Christine Connolly | A♭ Major | 8 | 4B | 123 BPM | ||
| Little Hands | Andrew Synowiec | D Major | 2 | 10B | 119 BPM |