"Der Bettelstudent: Akt II: "Klinget, Feierglocken - Wo ist der Pokal - Heidahi, heidaha!"" by Carl Millöcker, MDR Leipzig Radio Chorus, Rundfunk-Sinfonieorchester Leipzig, Günther Herbig had its release date on January 1, 1968. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Carl Millöcker, MDR Leipzig Radio Chorus, Rundfunk-Sinfonieorchester Leipzig, Peter Schreier, Günther Herbig's "Millöcker: Der Bettelstudent (Highlights)" album is number 11 out of 13. On top of that, Germany appears to be the country where this track was created. Der Bettelstudent: Akt II: "Klinget, Feierglocken - Wo ist der Pokal - Heidahi, heidaha!" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Bettelstudent: Akt II: "Klinget, Feierglocken - Wo ist der Pokal - Heidahi, heidaha!" by Carl Millöcker, MDR Leipzig Radio Chorus, Rundfunk-Sinfonieorchester Leipzig, Günther Herbig to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Schwarzwaldmädel · Operette in drei Akten (Querschnitt in der Originalinstrumentierung) (2002 Digital Remaster), Zweiter Akt: - Alle Werden Sie Sich Drehen - Erklingen Zum Tanze Die Geigen (Bärbele, Römer) | Leon Jessel, Kurt Böhme, Erika Köth, Jürgen Förster, Christine Görner, Heinz Hoppe, Symphonieorchester Graunke, Cornelius Eberhardt, Harry Friedauer, Chor des Theaters am Gärtnerplatz, München, Willy Mattes | A Major | 2 | 11B | 84 BPM | ||
| Der Bettelstudent: Prelude | Carl Millöcker, Mirko Roschkowski, Erwin Belakowitsch, Linda Plech, Cornelia Zink, Adriane Queiroz, Henryk Bohm, Olaf Plassa, Rupert Bergmann, Alexander Voigt, Daniel Strasser, Steven Scheschareg, Franziska Stanner, Rui dos Santos, Michael Zehe, Yuri Dmytruk, Alexander Joel, Dirk Lohr, Bernd Ander, Mörbisch Festival Choir, Morbisch Festival Orchestra, Uwe Theimer | E♭ Major | 6 | 5B | 118 BPM | ||
| Der Bettelstudent, Act II: Der Wahrheit geb' ich die Ehre | Carl Millöcker, Kurt Böhme, Symphonieorchester des Bayerischen Rundfunks, Werner Schmidt-Boelcke | E Major | 6 | 12B | 115 BPM | ||
| Neva Polka, Op. 288 | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | E♭ Major | 4 | 5B | 80 BPM | ||
| La bohème: Finale. Death of Mimi | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | A♭ Major | 5 | 4B | 174 BPM | ||
| Der Bettelstudent, Act I: "Ich knüpfte manche zarte Bande" | Carl Millöcker, Mirko Roschkowski, Erwin Belakowitsch, Linda Plech, Cornelia Zink, Adriane Queiroz, Henryk Bohm, Olaf Plassa, Rupert Bergmann, Alexander Voigt, Daniel Strasser, Steven Scheschareg, Franziska Stanner, Rui dos Santos, Michael Zehe, Yuri Dmyt | E♭ Major | 4 | 5B | 74 BPM | ||
| The Bird Seller: "Ich bin der Prodecan" (Instrumental Version) | Carl Zeller, Budapest Philharmonic Orchestra, Janos Sandor | B♭ Major | 1 | 6B | 128 BPM | ||
| Hänsel und Gretel, Act III: Hurr, hopp, hopp, hopp (The Nibblewitch) | Engelbert Humperdinck, Donald Runnicles, Hanna Schwarz, Symphonieorchester des Bayerischen Rundfunks | F Major | 1 | 7B | 89 BPM | ||
| Die Dubarry: Wie schön ist alles | Theo Mackeben, Carl Millöcker, Fritz Wunderlich, Hans Moltkau, Munich Radio Orchestra | D Major | 2 | 10B | 108 BPM | ||
| Kobenhavns Jernbanedamp Galop (Copenhagen Steam Railway Galop): Kjobenhavens Jernbane-Damp-Galop | Hans Christian Lumbye, Slovak State Philharmonic Orchestra, Mika Eichenholz | E Major | 2 | 12B | 82 BPM | ||
| Thespis: No. 3 Valse | Arthur Sullivan, RTE Concert Orchestra, Andrew Penny | G Major | 0 | 9B | 87 BPM | ||
| Erzherzog Albrecht-Marsch, Op. 136 | Karl Komzàk, Sr., Robert Stolz, Berliner Symphoniker | A Major | 5 | 11B | 116 BPM | ||
| Im weißen Rössl: Im weißen Rössl | Robert Stolz, Herta Talmar, Antonia Fahberg, Franz Fehringer, Willy Hofmann, Bernhard Wilfert, Peter Alexander, Chor, Grosses Operetten Orchester, Franz Marszalek | A♭ Major | 3 | 4B | 121 BPM | ||
| Donausagen, Op. 446 | Carl Michael Ziehrer, Robert Stolz | G Major | 3 | 9B | 88 BPM | ||
| Der Bettelstudent, Act I: Und da soll man noch galant sein | Carl Millöcker, Kurt Böhme, Symphonieorchester des Bayerischen Rundfunks, Werner Schmidt-Boelcke | F Major | 4 | 7B | 100 BPM | ||
| Aida, Act II: Dance of the Moorish Slaves - Vieni, sul crin ti piovano | Giuseppe Verdi, Elena Obraztsova, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A♭ Major | 0 | 4B | 81 BPM | ||
| Lehár: Die lustige Witwe, Act 3: "Lippen schweigen" (Hanna, Count Danilo) | Franz Lehár, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | G Major | 2 | 9B | 78 BPM | ||
| Die Hochquelle, Op. 114 | Eduard Strauss, Czech Philharmonic Chamber Orchestra, John Georgiadis | A♭ Major | 1 | 4B | 119 BPM | ||
| Cæcilie Vals (1852) | Hans Christian Lumbye, Tivoli Symphony Orchestra | B Major | 1 | 1B | 172 BPM | ||
| Millöcker: Die Dubarry: "Es lockt die Nacht" | Carl Millöcker, Melitta Muszely, Werner Schmidt-Boelcke, Rudolf Schock, FFB-Orchester | F Major | 2 | 7B | 85 BPM | ||
| Transylvanian March and Embassy Waltz from 'My Fair Lady': Transylvanian March and Embassy Waltz from 'My Fair Lady' | Frederick Loewe, John Wilson, Sinfonia Of London | E Major | 1 | 12B | 68 BPM | ||
| Die Dubarry - operetta: Wie schön ist alles | Carl Millöcker, Heinz Hoppe, Ingeborg Hallstein, Gunter Kallmann Choir, Orchester Franz Marszalek, Franz Marszalek | E♭ Major | 3 | 5B | 75 BPM | ||
| Die Dubarry (1999 Digital Remaster): Was ich im Leben beginne | Carl Millöcker, Elisabeth Schwarzkopf, Otto Ackermann, Philharmonia Orchestra, Philharmonia Chorus | F♯ Major | 3 | 2B | 113 BPM | ||
| Otello - Fire of Rejoicing | Giuseppe Verdi, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Otmar Suitner, Ernst Stoy | B♭ Major | 1 | 6B | 139 BPM | ||
| Eight Russian Folksongs for Orchestra, Op. 58: VI. Cradle Song (Lullaby). Moderato | Anatoly Lyadov, Alexander Gauk | C Minor | 2 | 5A | 72 BPM |