FeiFei Ou-Yang's '愛の報酬' had a release date set for April 20, 2005. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "SOUL・FEI FEI!". In this album, this song's track order is #1. 愛の報酬 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 愛の報酬 by FeiFei Ou-Yang having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 甘い生活 | Goro Noguchi | D♭ Minor | 4 | 12A | 126 BPM | ||
| 愛の奇跡 | Hide & Rosanna | D Minor | 3 | 7A | 123 BPM | ||
| 潮来笠 | Yukio Hashi | G Major | 3 | 9B | 127 BPM | ||
| さよならをもう一度 | Kiyohiko Ozaki | D Major | 4 | 10B | 100 BPM | ||
| ボヘミアン | Yuki Katsuragi | D Minor | 7 | 7A | 129 BPM | ||
| 女のみち | Shiro Miya | D Major | 3 | 10B | 141 BPM | ||
| きみの朝 | Satoshi Kishida | G Major | 3 | 9B | 84 BPM | ||
| 真赤な太陽 | Hibari Misora | D Major | 5 | 10B | 124 BPM | ||
| あの素晴しい愛をもう一度 | Kazuhiko Kato, 北山 修 | G Minor | 6 | 6A | 111 BPM | ||
| 夢一夜 | Kosetsu Minami | G Minor | 4 | 6A | 154 BPM | ||
| お久しぶりね | 小柳ルミ子 | E Minor | 7 | 9A | 130 BPM | ||
| 新宿・みなと町 | Shinichi Mori | E♭ Minor | 3 | 2A | 91 BPM | ||
| はがゆい唇 | Mariko Takahashi | E♭ Minor | 8 | 2A | 120 BPM | ||
| Namida no Request | The Checkers | E♭ Major | 6 | 5B | 132 BPM | ||
| もしもピアノが弾けたなら | Toshiyuki Nishida | D Major | 3 | 10B | 120 BPM | ||
| 旅人よ | Yuzo Kayama | D Minor | 3 | 7A | 114 BPM | ||
| 光進丸 | Yuzo Kayama | A Major | 6 | 11B | 111 BPM | ||
| ひなげしの花 | Agnes Chan | G Minor | 8 | 6A | 92 BPM | ||
| 花嫁 | Norihiko Hashida And Climax | A Major | 6 | 11B | 124 BPM | ||
| 翼の折れたエンジェル | Ayumi Nakamura | E Major | 7 | 12B | 121 BPM | ||
| 言葉にできない | Off Course | E♭ Major | 3 | 5B | 84 BPM | ||
| 喝采 | Midori Oka | F Major | 6 | 7B | 95 BPM | ||
| 夜明けのブルース | Raymond Matsuya | A Minor | 8 | 8A | 123 BPM | ||
| 別れの朝 | Mariko Takahashi | D Minor | 5 | 7A | 86 BPM | ||
| Pierrot | Chiharu Matsuyama | G Major | 5 | 9B | 124 BPM |