"Mr. Knightly Returns" by Rachel Portman had its release date on July 29, 1996. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 18 in Emma (Original Motion Picture Soundtrack) by Rachel Portman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Mr. Knightly Returns is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mr. Knightly Returns by Rachel Portman is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The White House | Joseph Vitarelli | E♭ Major | 2 | 5B | 76 BPM | ||
| A Last Reading | Adrian Johnston | F Major | 0 | 7B | 77 BPM | ||
| Time Pass To 1781 | Rachel Portman | G Major | 1 | 9B | 101 BPM | ||
| Without Suspicion | Samuel Sim | E Minor | 1 | 9A | 78 BPM | ||
| Brideshead Revisited: No. 2, Memory | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | A Minor | 1 | 8A | 75 BPM | ||
| To Be Apart (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Marcia Crayford, Gabrielle Lester | G Minor | 1 | 6A | 154 BPM | ||
| This Is Neverland - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | A Minor | 1 | 8A | 88 BPM | ||
| Brideshead Revisited: No. 6, Arcadia | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | F Major | 1 | 7B | 84 BPM | ||
| Mary Downstairs | Zbigniew Preisner | C Minor | 0 | 5A | 138 BPM | ||
| Austenland Symphony: I. Sonata | Ilan Eshkeri | C Major | 2 | 8B | 89 BPM | ||
| Bridget | Rachel Portman | E Minor | 0 | 9A | 133 BPM | ||
| Looking For The Next Great Idea | James Horner | D Major | 0 | 10B | 64 BPM | ||
| The Final Kiss | Mario Malagnini | G Major | 1 | 9B | 94 BPM | ||
| Elizabeth - Original Motion Picture Soundtrack: Love Theme | David Hirschfelder, Unknown Orchestra | B♭ Major | 1 | 6B | 80 BPM | ||
| From Paris to the Aquaduct | Peter Gregson | A♭ Major | 0 | 4B | 65 BPM | ||
| Three Steps From the Sky | Maurizio Malagnini | G Major | 2 | 9B | 201 BPM | ||
| You Already Loved Me | Rachel Portman | D Minor | 0 | 7A | 80 BPM | ||
| Forest Feelings | John Powell, Stephen Schwartz | F Major | 6 | 7B | 131 BPM | ||
| Proposal | Rachel Portman | G Major | 1 | 9B | 107 BPM | ||
| End Credits - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | E♭ Major | 0 | 5B | 67 BPM | ||
| Jessie and Norman | Mark Isham | D Major | 1 | 10B | 94 BPM | ||
| To the Cottages | Rachel Portman | E Minor | 1 | 9A | 124 BPM | ||
| Bedtime Without Mom | Deborah Lurie | G Minor | 0 | 6A | 81 BPM | ||
| The Murdstones | Christopher Willis | G Major | 2 | 9B | 136 BPM | ||
| Leo's Lament | W.G. Snuffy Walden | A Minor | 1 | 8A | 66 BPM |