"ATL-5 WSK" by Mac Quayle had its release date on January 9, 2026. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Mac Quayle's "His & Hers (Soundtrack from the Netflix Series)" album is number 2 out of 24. On top of that, United States appears to be the country where this track was created. In terms of popularity, ATL-5 WSK is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of ATL-5 WSK by Mac Quayle to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Berniece Story | Alexandre Desplat | A♭ Major | 3 | 4B | 135 BPM | ||
| How Did Ben Get Out? | Adrian Johnston | A Major | 4 | 11B | 100 BPM | ||
| Central Park | David Fleming | A Minor | 3 | 8A | 119 BPM | ||
| Dies Mercurii I Martius (From "The Da Vinci Code") - Church Organ Version | Hans Zimmer, Aureon Vale, Sacred Mystery | A Major | 4 | 11B | 100 BPM | ||
| Madame Suzanne | Alexandre Desplat | A♭ Major | 3 | 4B | 102 BPM | ||
| Ligne de faille | CHLOE (Thévenin) | A Major | 4 | 11B | 100 BPM | ||
| 412.5 Finally Be Together | Mac Quayle | F Major | 2 | 7B | 88 BPM | ||
| Chasing the Love of Strangers | Jeff Danna | C Minor | 1 | 5A | 69 BPM | ||
| Across Borders | Jon Opstad | F Minor | 5 | 4A | 143 BPM | ||
| Darem Unsealed | Jeff Russo | A Major | 4 | 11B | 100 BPM | ||
| Sima | Bryan Senti, Spencer Zahn, Noah Hoffeld, Czech National Symphony | G Major | 7 | 9B | 120 BPM | ||
| Wild Cat | Ilan Eshkeri | F♯ Minor | 3 | 11A | 85 BPM | ||
| Terror's Alarms | Khaled Al Kammar | D Minor | 1 | 7A | 124 BPM | ||
| Od Daka Ve Nochtim | Asaf Sagiv, Yuki Numata Resnick, Ben Russell, Caleb Burhans, Clarice Jensen, Kelci Hahn, Suzanne Waters, First Dome Chamber Choir, Jenny Wong, Joshua Ranz, Stephen Karr | D♭ Major | 0 | 3B | 48 BPM | ||
| Nineteen | Pierre Charles | C Minor | 1 | 5A | 102 BPM | ||
| Betrayal | Ruth Barrett | A♭ Minor | 3 | 1A | 75 BPM | ||
| Autopsy | Danny Bensi and Saunder Jurriaans | A Minor | 1 | 8A | 66 BPM | ||
| Magnetic Ways | Richard Canavan, London Contemporary Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
| Sabom The Skeptic | Hannah Parrott | A Major | 1 | 11B | 62 BPM | ||
| What Is Life? | Siddhartha Khosla | F Minor | 0 | 4A | 171 BPM | ||
| Hit | Dan Deacon | F Minor | 1 | 4A | 152 BPM | ||
| She Might Be Scared of You | Luke Richards | E Minor | 1 | 9A | 92 BPM | ||
| Keeping Us Safe | Jasha Klebe | E Minor | 2 | 9A | 180 BPM | ||
| Svampe Til Sovsen | Halfdan E, Tallinn's Finest Sinfonietta | A Major | 4 | 11B | 100 BPM | ||
| Mist | Roger Eno | G Minor | 1 | 6A | 68 BPM |