"Our Enemies Approach" by Doyle W. Donehoo had its release date on February 19, 2020. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Our Enemies Approach's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 6 in Battlefleet Gothic: Armada (Original Soundtrack) by Doyle W. Donehoo. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Our Enemies Approach is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Our Enemies Approach by Doyle W. Donehoo is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Together to the Stars (United Empire Theme) | Arnaud Roy | G Minor | 5 | 6A | 100 BPM | ||
| Iceheart | Knut Avenstroup Haugen, The Budapest Scoring Orchestra, Jess Dandy, Tony Hinnigan | E♭ Major | 4 | 5B | 100 BPM | ||
| Zandam | Martin Madrazo, Martin Lamo | B Minor | 4 | 10A | 120 BPM | ||
| At World's End | Paradox Interactive | B Major | 7 | 1B | 90 BPM | ||
| Xeno Presence | Doyle W. Donehoo | D♭ Major | 3 | 3B | 94 BPM | ||
| Blood of Man | Doyle W. Donehoo | C Minor | 4 | 5A | 135 BPM | ||
| Four Days to Crows Nest | Breakdown Epiphanies | A Minor | 4 | 8A | 168 BPM | ||
| Cold Victory | Paul Leonard-Morgan | A Major | 3 | 11B | 107 BPM | ||
| Left Earth | Wilfred Rockell, Maendi | F Minor | 4 | 4A | 130 BPM | ||
| Evac Zone | Steve Jablonsky, Jacob Shea, Gears of War | B♭ Minor | 5 | 3A | 130 BPM | ||
| Burning Skies | Legio Symphonica | G Major | 2 | 9B | 125 BPM | ||
| Dungeon | Will Savino | C Minor | 0 | 5A | 84 BPM | ||
| In inceptum finis est | Legio Symphonica | C Minor | 1 | 5A | 70 BPM | ||
| Choir of Destruction | Doyle W. Donehoo | A Minor | 1 | 8A | 60 BPM | ||
| Iron and Oil (Original Game Soundtrack) | Adam Skorupa, Krzysztof Wierzynkiewicz, Michal Cielecki | D♭ Major | 1 | 3B | 63 BPM | ||
| Abyssal Embrace | Officio Audiorum | E Minor | 7 | 9A | 126 BPM | ||
| Left Behind | Adam Schneider | D Major | 2 | 10B | 180 BPM | ||
| Unleashing the Clans (Orcs) | Breakdown Epiphanies | G Major | 6 | 9B | 72 BPM | ||
| Troll | Grant Kirkhope | D Minor | 5 | 7A | 95 BPM | ||
| Made Men | Stephen Barton | B♭ Minor | 6 | 3A | 80 BPM | ||
| Vindiction | Doyle W. Donehoo | D Major | 4 | 10B | 100 BPM | ||
| The Empyrean Beckons | Pavel Lipski | B♭ Major | 4 | 6B | 150 BPM | ||
| Crystalline | Steve Jablonsky, Trevor Morris, EA Games Soundtrack | B♭ Minor | 4 | 3A | 120 BPM | ||
| Through the Hollow Earth | Simon Poole | F Major | 1 | 7B | 64 BPM | ||
| Darkest Hour | Jason Solowsky | D Minor | 4 | 7A | 100 BPM |