"Flashback I" by Bernard Herrmann had its release date on 1964. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Bernard Herrmann's "Marnie (Complete Original Motion Picture Score)" album is number 49 out of 51. On top of that, United States appears to be the country where this track was created. In terms of popularity, Flashback I is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Flashback I by Bernard Herrmann to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love Remembered | Wojciech Kilar | E Minor | 0 | 9A | 170 BPM | ||
| A Place In The Sun - Suite | Franz Waxman, Charles Gerhardt, National Philharmonic Orchestra | B♭ Minor | 2 | 3A | 176 BPM | ||
| Grey Clouds | Dominic Harlan | B♭ Major | 0 | 6B | 72 BPM | ||
| The End Of The Day | David Shire | F Major | 3 | 7B | 78 BPM | ||
| Strip-Tease - From Attention les enfants regardent | Eric Demarsan, Harry Rabinowitz | E♭ Major | 2 | 5B | 67 BPM | ||
| Last Tango in Paris - Ultimo Tango a Parigi (Titles) | Gato Barbieri | C Minor | 4 | 5A | 107 BPM | ||
| Poursuite - Bande originale du film "À bout de souffle" | Martial Solal | A♭ Major | 5 | 4B | 153 BPM | ||
| Valse du café du fleuve - From Hiroshima mon amour, 1959 | Georges Delerue | D Major | 3 | 10B | 76 BPM | ||
| Puppet Love (From "Being John Malkovich") | Brussells Philharmonic, Dirk Brossé | E Minor | 2 | 9A | 138 BPM | ||
| Teneramente | Giorgio Gaslini | C Major | 2 | 8B | 128 BPM | ||
| Le destin de Costello - Bande originale du film "Le samouraï" | François de Roubaix | G Minor | 2 | 6A | 66 BPM | ||
| Main Theme (Redux) | Andrew Hale | B♭ Minor | 1 | 3A | 92 BPM | ||
| Eclisse Slow - From "L'eclisse" Original Soundtrack | Giovanni Fusco | G Major | 1 | 9B | 73 BPM | ||
| Taxi Driver | Bernard Herrmann | C Major | 3 | 8B | 72 BPM | ||
| Preludio em si bemol menor | Hareton Salvanini | F Major | 2 | 7B | 175 BPM | ||
| Getting Into Shape / Listen You Screwheads / Gun Play / Dear Father & Mother / The Card / Soap Opera | Bernard Herrmann, James P. Nichols | F Major | 1 | 7B | 86 BPM | ||
| Tell Me When | Gerry Mulligan Sextet | D♭ Major | 0 | 3B | 69 BPM | ||
| Blues For Harry (Combo) | David Shire | F Minor | 2 | 4A | 73 BPM | ||
| Living Waters | Philip Glass | D Minor | 0 | 7A | 134 BPM | ||
| Space Station Docking - From "2001: A Space Odyssey" | Alex North | A Minor | 2 | 8A | 102 BPM | ||
| Byron And Natalie (Love Theme From "The Winds Of War") | Bob Cobert | C Minor | 3 | 5A | 80 BPM | ||
| Theme d'amour | Martial Solal | C Major | 2 | 8B | 131 BPM | ||
| Quasi un sogno | Sandro Brugnolini | F Major | 2 | 7B | 69 BPM | ||
| Sicilian Pastorale | Nino Rota | F Minor | 1 | 4A | 61 BPM | ||
| Rear Window Suite: I. Prelude | Franz Waxman, Danish National Symphony Orchestra, John Mauceri | F Minor | 3 | 4A | 112 BPM |