"Versa Est in Luctum (Live)" by Setra Consort, Sebastián de Vivanco had its release date on October 10, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Versa Est in Luctum (Live) only contains only one song in the album, we like to consider this song as a single. Based on our data, Turks and Caicos Islands was the country where this track was produced or recorded. Versa Est in Luctum (Live) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Versa Est in Luctum (Live) by Setra Consort, Sebastián de Vivanco has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Versa Est in Luctum (Live) being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Through Me: You Through Me | Alex Berko, Conspirare, Miró Quartet, Michael Jones, Craig Hella Johnson | E Major | 2 | 12B | 95 BPM | ||
| My Spirit Sang All Day | Gerald Finzi, Apollo5 | G Major | 1 | 9B | 76 BPM | ||
| Missa Hercules dux Ferrariae: II. Gloria | Josquin des Prez, Odhecaton, Paolo da Col | G Major | 2 | 9B | 69 BPM | ||
| Short Service: VII. Nunc dimittis | Orlando Gibbons, Truro Cathedral Choir, James Anderson-besant | A♭ Major | 1 | 4B | 103 BPM | ||
| Our Father | Nikolay Kedrov, Skylark Vocal Ensemble, Matthew Guard | C Major | 1 | 8B | 75 BPM | ||
| The Lord's prayer | Ars Poliphonica | E Major | 2 | 12B | 133 BPM | ||
| Crying In The Dark | Simon Daum | B Major | 2 | 1B | 85 BPM | ||
| Inventions for Choir: No. 2, The Duchess | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr | F Major | 2 | 7B | 89 BPM | ||
| I Have Never Loved Someone: I Have Never Loved Someone (Arr. for Choir by Nate Thacher) | Shara Nova, Conspirare, Craig Hella Johnson | E Major | 1 | 12B | 175 BPM | ||
| Missa Sanctae Crucis, MH 56: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 78 BPM | ||
| Lagrime di San Pietro: No. 21, Vide homo, LV 1025 | Orlande de Lassus, Doulce Mémoire, Denis Raisin-Dadre | E Major | 2 | 12B | 133 BPM | ||
| Audivi vocem de caelo | John Taverner, Alamire, David Skinner | D♭ Major | 2 | 3B | 136 BPM | ||
| Panis Angelicus (Louis Lambillotte) | John Shaw | F Major | 1 | 7B | 101 BPM | ||
| Underneath the stars | Ars Poliphonica | E Major | 2 | 12B | 133 BPM | ||
| The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | ||
| Baptism of Christ | Peter Hallock, Tim Mackey, St. Mark's Cathedral Choir, J. Melvin Butler | D Minor | 0 | 7A | 146 BPM | ||
| Transfigurations: VI. Tat Tvam Asi | Christopher Tin, Kantorei, Alicia Rigsby, Dylan Tyree, David Short, Nicholas Recuber, Remy Le Boeuf | B Major | 0 | 1B | 80 BPM | ||
| Parce Domine | Jacob Obrecht, Odhecaton, Paolo da Col | E♭ Minor | 1 | 2A | 91 BPM | ||
| All-Night Vigil, Op. 37: IX. Blessed art Thou, O Lord | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Joseph Warner | E Minor | 4 | 9A | 94 BPM | ||
| Lord, Now Lettest Thou Thy Servant Depart | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | ||
| 2 Sacred Chants: No. 1, Mercy of Peace | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 80 BPM | ||
| Requiem: Psalm 23 | Herbert Howells, Conspirare, Craig Hella Johnson | D Minor | 0 | 7A | 125 BPM | ||
| There We Shall Rest | Kim André Arnesen, Kantorei, Joel Rinsema | C Major | 1 | 8B | 76 BPM | ||
| Requiem: II. Psalm 23 | Herbert Howells, Hannah Holgersson, Ivonne Fuchs, Michael Axelsson, Sofia Vokalensemble, Bengt Ollen | A Minor | 1 | 8A | 74 BPM | ||
| Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart, Sonntraud Engels-Benz, Frieder Bernius | D♭ Major | 1 | 3B | 66 BPM |