"Postlude—Critical Mass" by Sufjan Stevens had its release date on October 20, 2009. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Postlude—Critical Mass's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "The BQE". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Postlude—Critical Mass is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Postlude—Critical Mass by Sufjan Stevens having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Skype Sweet | Stephen Rennicks | D♭ Major | 3 | 3B | 127 BPM | ||
| The Land of Nod | Ólafur Arnalds | B♭ Minor | 1 | 3A | 186 BPM | ||
| Tale | Akira Kosemura | D Minor | 2 | 7A | 176 BPM | ||
| We're All Leaving | Arcade Fire, Owen Pallett | A♭ Major | 0 | 4B | 48 BPM | ||
| sadballad | Gia Margaret | F Minor | 1 | 4A | 143 BPM | ||
| Rescue Him | Martin Gazzarrini | E♭ Major | 1 | 5B | 76 BPM | ||
| Mina-No-Ie | Luke Howard, Nadje Noordhuis | A♭ Major | 0 | 4B | 135 BPM | ||
| Fragment V | Library Tapes | D♭ Major | 7 | 3B | 135 BPM | ||
| Guilty Cubicles | Broken Social Scene | A♭ Minor | 3 | 1A | 205 BPM | ||
| Benz’s Dream | Animal Collective | F Major | 3 | 7B | 116 BPM | ||
| Piano Two | Jon Brion | C Minor | 0 | 5A | 76 BPM | ||
| the same cat gets stuck in the infinite time loop of life | Birb | G Major | 0 | 9B | 68 BPM | ||
| Ambulance For The Ambience | Broken Social Scene | E Major | 4 | 12B | 181 BPM | ||
| Asleep on a Train - Piano | Radical Face | D Major | 3 | 10B | 95 BPM | ||
| Jósep tekur fimmuna í vinnuna 2 | Sigur Rós | C Minor | 4 | 5A | 79 BPM | ||
| Eight Thousand Layers | Christopher Bear, Daniel Rossen | D♭ Major | 2 | 3B | 88 BPM | ||
| Glorious You | Sufjan Stevens, Lowell Brams | G Major | 3 | 9B | 100 BPM | ||
| Straumnes | Sigur Rós | A♭ Major | 0 | 4B | 80 BPM | ||
| 0040 | Ólafur Arnalds | E♭ Major | 1 | 5B | 135 BPM | ||
| I | Ethan Gruska | D Major | 1 | 10B | 89 BPM | ||
| Opus 23 | Dustin O'Halloran | F♯ Major | 1 | 2B | 101 BPM | ||
| Perfect Neglect In A Field Of Statues | Eluvium | B♭ Minor | 3 | 3A | 120 BPM | ||
| The Trees | Max Richter, Tilda Swinton, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | G Minor | 3 | 6A | 115 BPM | ||
| Brisa Que Me Llena | Pulso En La Nota | E♭ Major | 0 | 5B | 133 BPM | ||
| Peer Pressure - From "Eternal Sunshine of the Spotless Mind"/Score | Jon Brion | E Major | 0 | 12B | 68 BPM |