Stephan Mahu, Piffaro's 'Christ ist erstanden (Setting à 5)' had a release date set for July 14, 2017. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 38 in Back Before Bach: Musical Journeys by Piffaro. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Christ ist erstanden (Setting à 5) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Christ ist erstanden (Setting à 5) by Stephan Mahu, Piffaro is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I. Surge propera amica mea | Ivan Moody, New York Polyphony | E♭ Major | 0 | 5B | 77 BPM | ||
| Fantaisie | Lorenzini, Le Poème Harmonique, Vincent Dumestre | A Minor | 0 | 8A | 84 BPM | ||
| Lachrimae or Seven Tears: VIII. Mr Nicholas Gryffith his Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Annuntietur in universa terra | Birgitta von Schweden, Les Flamboyants, Michael Form, Susanne Ansorg, Miriam Andersén | A♭ Major | 1 | 4B | 125 BPM | ||
| The Armed Man (Ensemble Version): III. Kyrie | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
| O rosa bella, JD 54: O rosa bella - Quodlibet: O rosa bella (Anonymous) [Glogauer Liederbuch, c. 1480] | John Dunstable, Joculatores Upsalienses | D Minor | 0 | 7A | 123 BPM | ||
| Pasacalles de cuarto tono, WSC 102 - Version for Consort of 4 Viols and Harp | Juan Cabanilles, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger, Giovanna Pessi | A♭ Minor | 1 | 1A | 91 BPM | ||
| Au joly boys | Hilaire Penet, Into the Winds | B♭ Minor | 0 | 3A | 82 BPM | ||
| Danserye: Pavane: No. 38, - Gaillarde: No. 50, La dona (Arr. L. Czidra) | Tylman Susato, Camerata Hungarica, László Czidra | D Minor | 1 | 7A | 101 BPM | ||
| Mit Fried und Freud ich fahr dahin, BuxWV 76 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | D Minor | 1 | 7A | 56 BPM | ||
| Trompette (Instrumental) | Anónimo, Capella de Ministrers, Carles Magraner | C Major | 5 | 8B | 87 BPM | ||
| Ballo Francese chiamato Amoroso (Arr. for Wind Ensemble and Percussion by Pascale Boquet) | Giovanni Ambrosio, Guglielmo Ebreo da Pesaro, Into the Winds | F Major | 1 | 7B | 126 BPM | ||
| Ave victorioso e sancto legno | Marchetto Cara, Tessa Bonner, James Gilchrist, Julian Podger, Jonathan Arnold | E Minor | 1 | 9A | 118 BPM | ||
| Veni in hortum meum à 6 | Orlande de Lassus, Chœur De Chambre De Namur, Clematis, Leonardo García-Alarcón | G Minor | 1 | 6A | 103 BPM | ||
| Requiem in memoriam Josquin Desprez: VII. Communio - Lux aeterna | Jean Richafort, Huelgas Ensemble, Paul Van Nevel | C Major | 1 | 8B | 86 BPM | ||
| Canzoni overo sonate concertate, Op. 12: No. 24, Ballo detto Pollicio | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Passacalle | Andrea Falconieri, Capella De La Torre, Katharina Bauml | D Minor | 1 | 7A | 108 BPM | ||
| Missa "Hodie Christus natus est": 2. Gloria | Giovanni Pierluigi da Palestrina, Gabrieli, Paul McCreesh | G Major | 2 | 9B | 74 BPM | ||
| Sixteenth Century French Dances:Basse Dance "Au Pres De Vous" | Michael Praetorius, Calliope - A Renaissance Band | C Major | 0 | 8B | 81 BPM | ||
| The Master Masons Pillar | Tallis Chamber Choir, Edinburgh Renaissance Band, The | F Minor | 3 | 4A | 141 BPM | ||
| Par mantes foys | Jehan Vaillant, La Reverdie | A Minor | 1 | 8A | 121 BPM | ||
| Laudate Dominum omnes gentes a 5, SV 272 | Claudio Monteverdi, Choir of The King's Consort, The King's Consort, Robert King | B Major | 2 | 1B | 117 BPM | ||
| The First Tuning: III. Coranto | Alfonso Ferrabosco, Jordi Savall | F Major | 0 | 7B | 57 BPM | ||
| Fantasia Suite in G Minor for Treble and 2 Basses, VdGS No. 1: III. Corant | John Jenkins, Fretwork | E Minor | 2 | 9A | 109 BPM | ||
| Vespro della Beata Vergine, SV 206: X. Psalm "Lauda Jerusalem" | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | G Major | 0 | 9B | 100 BPM |