"From Stash" by DJ Krush had its release date on January 1, 1997. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in DJ Krush's "Milight" album is number 5 out of 28. In terms of popularity, From Stash is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of From Stash by DJ Krush to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cat People | Cujo | F♯ Major | 9 | 2B | 95 BPM | ||
| Fat Ass Joint | Cujo | A Major | 5 | 11B | 98 BPM | ||
| Wilderness Kids | TM Juke, Rup | A Minor | 5 | 8A | 87 BPM | ||
| This aint the way to live | Funki Porcini | D♭ Major | 6 | 3B | 175 BPM | ||
| The 5th Exotic | Quantic | A Minor | 7 | 8A | 97 BPM | ||
| On the Rhodes Again | Morcheeba | G Major | 8 | 9B | 75 BPM | ||
| Tragedy Herself | Glen Porter | E Minor | 8 | 9A | 110 BPM | ||
| Midnight Calling | Mark Farina | D♭ Major | 4 | 3B | 94 BPM | ||
| 85 Loop | DJ Krush | D♭ Minor | 4 | 12A | 170 BPM | ||
| ESSENTIAL DUB | MAJOR FORCE PRODUCTIONS | G Minor | 7 | 6A | 104 BPM | ||
| Marakesh | Peace Orchestra | B♭ Minor | 6 | 3A | 110 BPM | ||
| They Came in Peace | Tranquility Bass | E Major | 4 | 12B | 81 BPM | ||
| Just Chill | Danny Breaks | E Minor | 7 | 9A | 95 BPM | ||
| Rhythm Section | Dday One | D♭ Major | 9 | 3B | 93 BPM | ||
| Yasawas | Amon Tobin | D♭ Major | 4 | 3B | 165 BPM | ||
| Parallel Distortion | DJ KRUSH, DJ Sak | G Major | 4 | 9B | 90 BPM | ||
| Eine Kleine Hedmusik | Coldcut | B♭ Minor | 4 | 3A | 91 BPM | ||
| Gotta Jazz - Remix | Count Basic | A Major | 3 | 11B | 92 BPM | ||
| Trance Dance - DJ Krush Remix | Hamid Baroudi, DJ KRUSH | B Minor | 7 | 10A | 77 BPM | ||
| Dope | Kruder & Dorfmeister | B♭ Minor | 6 | 3A | 79 BPM | ||
| Throwing Down A Shape | Fila Brazillia | G Major | 4 | 9B | 101 BPM | ||
| Rondo Acapricio | Tosca | B♭ Major | 5 | 6B | 97 BPM | ||
| Forget It | St Germain | G Major | 5 | 9B | 192 BPM | ||
| Midnight Feast | Mr. Scruff | G Major | 3 | 9B | 81 BPM | ||
| We Be the Crew | The Wiseguys | A♭ Minor | 6 | 1A | 94 BPM |