"No. 1, Scherzetto" by Joseph Jongen, Rudolf Müller had its release date on February 20, 2014. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rudolf Müller's "Great European Organs, Vol. 95: Monastery Church, Mariannhill" album is number 11 out of 13. On top of that, United Kingdom appears to be the country where this track was created. No. 1, Scherzetto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of No. 1, Scherzetto by Joseph Jongen, Rudolf Müller to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | B Major | 0 | 1B | 130 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: IV. Auftritt und Tanz der Schneider | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson, José-Luis Garcia | B Major | 0 | 1B | 130 BPM | ||
| カプリオール組曲: III. Tordion | Peter Warlock, 石田組 | G Minor | 1 | 6A | 202 BPM | ||
| Sicilienne in E-Flat Major (Arr. T. Miteva for Cello & Chamber Orchestra) | Maria Theresia von Paradis, Teodora Miteva, World Chamber Orchestra | F Minor | 0 | 4A | 122 BPM | ||
| 3 Romances, Op. 22: No. 1, Andante molto | Clara Schumann, Fabio Biondi, Luigi Di Llio | B♭ Major | 1 | 6B | 77 BPM | ||
| Piano Concerto No. 3 in C Minor, Op. 32: I. Grave | Sergei Bortkiewicz, David Porcelijn, Stefan Doniga, Janáček Philharmonic Orchestra | B♭ Minor | 1 | 3A | 145 BPM | ||
| Tempus fugit: III. Part 3 | Magnus Lindberg, NDR Elbphilharmonie Orchester, Alan Gilbert | A Major | 2 | 11B | 92 BPM | ||
| Elegia | Edith Sohlström, SRK Musiikki | D Major | 1 | 10B | 177 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Angela Cheng, Jens Lindemann, CBC Radio Orchestra, Mario Bernardi | C Minor | 0 | 5A | 175 BPM | ||
| Concerto For Oboe And Strings: 1. Rondo Pastorale | Ralph Vaughan Williams, Neil Black, English Chamber Orchestra, Daniel Barenboim | E Minor | 2 | 9A | 91 BPM | ||
| Épitaphe de Jean Harlow, Op. 164 | Charles Koechlin, Tatjana Ruhland, Yaara Tal, Libor Sima | A Major | 0 | 11B | 108 BPM | ||
| 3 Romances sans paroles (from Six Romances sans paroles, Op. 76): No. 3, Idylle. Allegro moderato | Cécile Chaminade, Eric Parkin | E Minor | 0 | 9A | 123 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | B Major | 0 | 1B | 130 BPM | ||
| Sea-Weed Song, Op. 12c | Ruth Gipps, Juliana Koch, Michael McHale | C Minor | 0 | 5A | 77 BPM | ||
| Rakastava, Op. 14: I. The Lover. Andante con moto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | B♭ Major | 0 | 6B | 72 BPM | ||
| Pelléas et Mélisande Suite, Op. 80: II. Fileuse | Gabriel Fauré, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Major | 0 | 9B | 88 BPM | ||
| Prélude, habañera et allegro, Op. 106 | Joseph Jongen, Wies de Boevé, Tomoko Takahashi | G Major | 1 | 9B | 117 BPM | ||
| 4 Lieder, Op. 27: IV. Morgen! | Richard Strauss, James Ehnes, Andrew Armstrong | G Major | 0 | 9B | 80 BPM | ||
| Concerto in F Minor, Op. 5 "Grand": II. Andante pastorale | Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra | B♭ Major | 0 | 6B | 119 BPM | ||
| Suite: Graceful Dance | Ernest Tomlinson, Royal Northern Sinfonia, David Lloyd-Jones | D Major | 3 | 10B | 133 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 1, Introduction | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | B Major | 0 | 1B | 130 BPM | ||
| 3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
| Aquarelles pour violon et piano, Op. 59: I. Légende naïve | Joseph Jongen, Ensemble Joseph Jongen, Eliot Lawson, Mark Drobinsky, Diane Andersen | G Major | 1 | 9B | 139 BPM | ||
| 4 Preludes: No. 3, The Holy Boy (Version for Cello & Piano) | John Ireland, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
| Estudio De Concerto. Op. 14, No.4. Romance Sans Paroles (Romanza Sin Palabras) - Duo-Art 6363 | Ernesto Drangosch, Corina Henriquez de Lima, Peter Phillips | B Major | 0 | 1B | 130 BPM |