Jonathan Atkinson's ' "New Day" was released on its scheduled release date, June 24, 2016. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. New Day's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jonathan Atkinson,Louise Freeman,Nick Mills's "Groove Café, Vol. 3" album is number 7 out of 25. In terms of popularity, New Day is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of New Day by Jonathan Atkinson to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dalgliesh Arrives | Andrew Simon McAllister | E♭ Major | 2 | 5B | 136 BPM | ||
| The Balcony Scene (From "Romeo and Juliet") | Craig Armstrong, Royal Philharmonic Orchestra, Paul Bateman | C Major | 0 | 8B | 133 BPM | ||
| Going Home Again | Jeff Beal | B♭ Major | 1 | 6B | 137 BPM | ||
| Cafe Noir | Jonathan Atkinson | D Major | 6 | 10B | 110 BPM | ||
| Come Healing | Elayna Boynton | D Major | 1 | 10B | 101 BPM | ||
| Zero Hour | Martin Phipps | F♯ Major | 1 | 2B | 70 BPM | ||
| A Stutter | Arnór Dan, Ólafur Arnalds, Atli Örvarsson | F Minor | 0 | 4A | 110 BPM | ||
| The Day Before You Came | Benny Andersson | A Minor | 1 | 8A | 64 BPM | ||
| On Saturday Afternoons in 1963 | Rickie Lee Jones | D Major | 1 | 10B | 83 BPM | ||
| Memphis In June | Annie Lennox | G Major | 1 | 9B | 88 BPM | ||
| "My Name Is Tom" - Original Motion Picture Soundtrack | Harry Gregson-Williams, London Session Orchestra | E Major | 8 | 12B | 97 BPM | ||
| Beth's Theme | Ólafur Arnalds | E♭ Minor | 0 | 2A | 168 BPM | ||
| Ace of Spades | The OAP'z, Mike Outram, John Blease, Jonathan Atkinson, John Parricelli, Steve Pearce, David Arch | E Major | 5 | 12B | 121 BPM | ||
| Libi & Akiva (long) | Avi Belleli | B Major | 3 | 1B | 149 BPM | ||
| The land of might-have-been | Ivor Novello, Jeremy Northam, Christopher Northam | E♭ Major | 1 | 5B | 77 BPM | ||
| Allelujah (Arrangement of Theme by Martin Phipps) | Ruth Barrett, Gillie Mackenzie | F♯ Minor | 2 | 11A | 67 BPM | ||
| La Villitaa | Rick Stein | F Major | 3 | 7B | 90 BPM | ||
| Rochester's Farewell | Michael Nyman, Michael Nyman Orchestra | F Major | 1 | 7B | 172 BPM | ||
| Everyday | Jonathan Atkinson | C Minor | 8 | 5A | 110 BPM | ||
| Gratitude | Seán Keane | G Major | 3 | 9B | 78 BPM | ||
| friends of past | Charlie Morgan | F♯ Major | 0 | 2B | 75 BPM | ||
| Calling All Angels | Jane Siberry | G Major | 1 | 9B | 184 BPM | ||
| Dimension | Electro Absolute Music, Jonathan Atkinson | B♭ Minor | 9 | 3A | 200 BPM | ||
| Pastoral | Alan Price | B♭ Major | 1 | 6B | 99 BPM | ||
| Third Degree | Jonathan Atkinson | G Major | 9 | 9B | 160 BPM |