On August 9, 2024, the song "Sonate e Partite: No. 63, Allegro moderato (Recomposed by Luca Astolfoni Fossi)" was released by Francesco Lecce, Claudio Ferrarini. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 20 in Francesco Lecce: 67 Sonate e Partite, No. 51 - 67. Works for Unaccompanied Violin Recomposed for Solo Flute & Mandolin Concerto in G Major Recomposed for solo fluteby Luca Astolfoni Fossi, Book III by Francesco Lecce, Claudio Ferrarini. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Sonate e Partite: No. 63, Allegro moderato (Recomposed by Luca Astolfoni Fossi) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonate e Partite: No. 63, Allegro moderato (Recomposed by Luca Astolfoni Fossi) by Francesco Lecce, Claudio Ferrarini is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony in C Major, H. 649, Wq. 174: II. Andante | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Mayumi Hirasaki | B♭ Minor | 1 | 3A | 112 BPM | ||
| Sonate pour le violon et le clavecin in D Minor: IV. Presto - Adagio | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | A♭ Minor | 3 | 1A | 125 BPM | ||
| Hasse: Serpentes ignei in deserto: Introduzione: II. Fugue | Johann Adolf Hasse, Thibault Noally, Les Accents | A Major | 2 | 11B | 83 BPM | ||
| Concerto Grosso in D Major, Op. 3, No. 1: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | B Minor | 1 | 10A | 114 BPM | ||
| Concerto for Harpsichord and Strings in C Minor: I. Allegro assai | Baldassare Galuppi, Arianna Radaelli, La Filarete | B Minor | 4 | 10A | 146 BPM | ||
| Oboe Concerto in C Minor: I. Allegro ma poco | Christoph Förster, Xenia Löffler, Batzdorfer Hofkapelle | A Major | 1 | 11B | 102 BPM | ||
| Concerto per mandolino in G Major: I. Allegro (Recomposed by Luca Astolfoni Fossi) | Francesco Lecce, Claudio Ferrarini | F Major | 2 | 7B | 70 BPM | ||
| Concerto for Violin and Bassoon in G Minor: II. Grave | Giuseppe Antonio Brescianello, David Plantier, Eckhard Lenzin, La Cetra Barockorchester Basel, Vaclav Luks | A♭ Major | 2 | 4B | 131 BPM | ||
| Van Wassenaer: Concerto Armonico No. 2 in B-Flat Major: III. Adagio affettuoso | Unico Wilhelm van Wassenaer, Amsterdam Baroque Orchestra, Ton Koopman | G Minor | 3 | 6A | 78 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in G Minor, No. 6: II. Allegro | Tomaso Albinoni, Ensemble 415, Chiara Banchini | F♯ Minor | 3 | 11A | 108 BPM | ||
| Symphony No. 59 in B-Flat Major: I. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | B Major | 1 | 1B | 123 BPM | ||
| Concerto per mandolino in G Major: III. Allegro balletto (Recomposed by Luca Astolfoni Fossi) | Francesco Lecce, Claudio Ferrarini | F Major | 2 | 7B | 70 BPM | ||
| Purcell: The Indian Queen, Z. 630, Act 2: Symphony. Adagio | Henry Purcell, John Eliot Gardiner, English Baroque Soloists | F♯ Major | 0 | 2B | 174 BPM | ||
| Sonate e partite: No. 57, Moderato-Andante | Francesco Lecce, Vincenzo Bianco | A Major | 1 | 11B | 73 BPM | ||
| Symphony in D Minor, J-C 23: II. Grave | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Sinfonia Doriclea | Francesco Cavalli, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| Sonata a 4 in A minor - Largo - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | A♭ Minor | 2 | 1A | 128 BPM | ||
| Viola Concerto in G Major, TWV 51:G9: II. Allegro | Georg Philipp Telemann, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | E♭ Minor | 0 | 2A | 84 BPM | ||
| Handel: Theodora, HWV 68: Overture | George Frideric Handel, Maxim Emelyanychev, Il Pomo D'oro | D♭ Major | 1 | 3B | 98 BPM | ||
| Sonata for Violin and Continuo in E Minor, BWV 1023 (Transc. for Viola da Gamba and Harpsichord by Atsushi Sakai): I. [Prelude] – Adagio ma non tanto | Johann Sebastian Bach, Atsushi Sakai, Christophe Rousset | F♯ Major | 1 | 2B | 126 BPM | ||
| Rameau: Dardanus, Act 4: Contredanse | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner | A Major | 2 | 11B | 124 BPM | ||
| Concerto Armonico No. 3 in A Major: Largo andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F Minor | 1 | 4A | 84 BPM | ||
| Violin Sonata No. 2 in D Minor, C. 139: I. [...] | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | A♭ Major | 1 | 4B | 78 BPM | ||
| Dardanus Suite, RTC 35A, Act I: Rigaudons I & II | Jean-Philippe Rameau, Indianapolis Baroque Orchestra, Barthold Kuijken | F♯ Major | 1 | 2B | 93 BPM | ||
| Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM |