"3 Improvisations: Return" by Francesco Tristano, Russian National Orchestra, Mikhail Pletnev had its release date on March 1, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Prokofiev: Piano Concertos - Schlimé: Three Improvisations". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, 3 Improvisations: Return's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 3 Improvisations: Return by Francesco Tristano, Russian National Orchestra, Mikhail Pletnev having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Partita No. 2 in C Minor, BWV 826: VI. Capriccio | Johann Sebastian Bach, Francesco Tristano | G Major | 3 | 9B | 79 BPM | ||
| At Les - Versus Edit Version | Carl Craig, Francesco Tristano, Les Siècles, François-Xavier Roth | F♯ Major | 7 | 2B | 187 BPM | ||
| Nocturne No.10 in E Major “Nocturne Pastorale”, H.54 | John Field, Elizabeth Joy Roe | E Major | 1 | 12B | 169 BPM | ||
| Piano Concerto No. 5, Op. 55 in G Major: I. Allegro con brio | Sergei Prokofiev, Francesco Tristano, Russian National Orchestra, Mikhail Pletnev | C Major | 1 | 8B | 148 BPM | ||
| Petites Vagues | Christian Badzura, Julius Asal | F♯ Minor | 0 | 11A | 71 BPM | ||
| Ravel: Ma mère l'Oye, M. 60: V. Le jardin féérique | Maurice Ravel, Alexandre Tharaud, Bertrand Chamayou | C Major | 0 | 8B | 65 BPM | ||
| Toccata in E Minor, BWV 914: I. no tempo - Un poco Allegro - Adagio | Johann Sebastian Bach, Francesco Tristano | G Major | 5 | 9B | 110 BPM | ||
| Württemberg Sonatas / Sonata No. 1 in A Minor, H. 30: II. Andante | Carl Philipp Emanuel Bach, Keith Jarrett | A Major | 0 | 11B | 75 BPM | ||
| Suite in E Minor, RCT 2: No. 5, Le rappel des oiseaux (Arr. for Piano by Ignaz Friedman) | Jean-Philippe Rameau, Joseph Banowetz | E Minor | 2 | 9A | 83 BPM | ||
| Circle Song III | Francesco Tristano | A♭ Minor | 1 | 1A | 68 BPM | ||
| Pavan | Orlando Gibbons, Francesco Tristano | C Major | 1 | 8B | 82 BPM | ||
| China Gates | John Adams, Anthony Romaniuk | B Minor | 7 | 10A | 115 BPM | ||
| Eccles: The Mad Lover: V. Aire. Ground (Arr. Diluka for Piano) | John Eccles, Shani Diluka | F Minor | 2 | 4A | 69 BPM | ||
| Kusakabe-san | Francesco Tristano | C Minor | 1 | 5A | 91 BPM | ||
| Bach - Improvisation inspired by Sinfonia 11 in G Minor, BWV 796 | Johanna Summer | G Minor | 0 | 6A | 76 BPM | ||
| 7 Choralbearbeitungen nach Johann Sebastian Bach: No. 7, Erbarme Dich mein, o Herre Gott (After Chorale Prelude, BWV 721) | Reinhard Febel, Lucas Jussen, Arthur Jussen | A Major | 0 | 11B | 106 BPM | ||
| 24 Preludes & Fugues, Op. 87: No. 4a, Prelude in E Minor | Dmitri Shostakovich, Sofia Sacco | G Major | 0 | 9B | 72 BPM | ||
| Bach, JS: Cello Suite No. 6 in D Major, BWV 1012: IV. Sarabande (Arr. Thomas for Cello & String Orchestra) | Abel Selaocoe, Manchester Collective | D Major | 1 | 10B | 80 BPM | ||
| Suite in D Minor, HWV 447: II. Courante | George Frideric Handel, Keith Jarrett | D Minor | 2 | 7A | 102 BPM | ||
| Gate of Entry (feat. Keiichiro Shibuya) | Francesco Tristano, Keiichiro Shibuya | A♭ Major | 2 | 4B | 100 BPM | ||
| Prélude, Fugue et Variation, Op. 18: I. Prélude. Andantino | César Franck, Mao Fujita | A Major | 3 | 11B | 80 BPM | ||
| Couperin, F: Second livre de pièces de clavecin, Sixième ordre: V. Les baricades mistérieuses | François Couperin, David Fray | B♭ Major | 0 | 6B | 75 BPM | ||
| Sonata in D Minor, Kk. 32 | Domenico Scarlatti, Racha Arodaky | D Minor | 4 | 7A | 132 BPM | ||
| Piano Sonata No. 1 in F Minor, Op. 6: II. (Adagio) | Alexander Scriabin, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
| Byrd: Pavana Lachrymae (After Dowland's "Flow My Tears") | William Byrd, Shani Diluka | D Minor | 0 | 7A | 134 BPM |