Sonora Ponceña, Papo Lucca's ' "Ñáñara Caí" was released on its scheduled release date, December 31, 1976. This song is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. The track order of this song in Sonora Ponceña's "Musical Conquest" album is number 1 out of 8. On top of that, United States appears to be the country where this track was created. In terms of popularity, Ñáñara Caí is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Ñáñara Caí by Sonora Ponceña, Papo Lucca to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Botaron la Pelota | Willie Rosario | F Minor | 7 | 4A | 104 BPM | ||
| Tomatero | Kim De Los Santos | E♭ Major | 6 | 5B | 173 BPM | ||
| Rumba Rumbero | La Critica | F Major | 7 | 7B | 94 BPM | ||
| Sala Gente | Ismael Rivera Y Sus Cachimbos | F Major | 8 | 7B | 94 BPM | ||
| Tu y Yo Na Ma | Sonora Ponceña | D Minor | 6 | 7A | 92 BPM | ||
| Cinco a Diez | Azabache | C Major | 9 | 8B | 92 BPM | ||
| Buenas Noches Che Che | Tito Rodriguez | F Major | 6 | 7B | 95 BPM | ||
| Como El Morivivi | Raphy Leavitt | D♭ Major | 9 | 3B | 98 BPM | ||
| Tema de una Flor | Luigi Texidor | E Minor | 7 | 9A | 96 BPM | ||
| ¿Adónde Vas? | Tipica 73, Jose Alberto | F Minor | 6 | 4A | 125 BPM | ||
| Mujer Celosa | Azuquita, Papo Lucca | C Major | 4 | 8B | 87 BPM | ||
| Al Son De La Lata Baila El Chorizo | Marvin Santiago | B♭ Major | 6 | 6B | 99 BPM | ||
| Casimira | Tommy Olivencia y Su Orquesta, Chamaco Ramírez | A♭ Major | 8 | 4B | 103 BPM | ||
| Cuando Te Vea | Bobby Valentin | B♭ Minor | 8 | 3A | 94 BPM | ||
| Magdalena | Orquesta La Conspiración | G Minor | 6 | 6A | 102 BPM | ||
| El Apartamento | Willie Rosario, Gilberto Santa Rosa | E Minor | 9 | 9A | 99 BPM | ||
| Cuando Te Vea | Frankie Hernandez y su Orquesta | B♭ Minor | 8 | 3A | 94 BPM | ||
| Vaselina | José Bello | C Major | 6 | 8B | 103 BPM | ||
| La Vecina | Orquesta La Solucion | G Major | 9 | 9B | 96 BPM | ||
| Despierta Ya | Impacto Crea | F Minor | 6 | 4A | 95 BPM | ||
| Salsa Ahí Na' Ma' | Joe Cuba | F Major | 8 | 7B | 106 BPM | ||
| San Agustín | Chamaco Ramírez | C Major | 6 | 8B | 145 BPM | ||
| Siempre Alegre | Raphy Leavitt | C Major | 8 | 8B | 97 BPM | ||
| Yambeque | Sonora Ponceña | F Major | 8 | 7B | 172 BPM | ||
| Sexo | Junior Gonzalez, Larry Harlow | G Minor | 7 | 6A | 100 BPM |