"Bartók: For Children, Sz. 42, Book II "Based On Slovakian Folk Tunes": No. 5, Variations" by Béla Bartók, Georges Pludermacher had its release date on January 1, 1996. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Bartók: For Children, Sz. 42, Book II "Based On Slovakian Folk Tunes": No. 5, Variations's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Georges Pludermacher's "L'atelier des pianistes, vol. 1 : Débutant" album is number 45 out of 60. On top of that, France appears to be the country where this track was created. Bartók: For Children, Sz. 42, Book II "Based On Slovakian Folk Tunes": No. 5, Variations is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bartók: For Children, Sz. 42, Book II "Based On Slovakian Folk Tunes": No. 5, Variations by Béla Bartók, Georges Pludermacher to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Schoenberg: Suite in the Old Style for String Orchestra: II. Adagio | Arnold Schoenberg, Mario Venzago, Deutsche Kammerphilharmonie Bremen | G Major | 1 | 9B | 101 BPM | ||
| Piano Concerto No. 3, Sz. 119: II. Adagio religioso | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | ||
| 12 Etudes d'execution transcendante, Op. 11: No. 1 Lullaby | Sergei Lyapunov, Konstantin Scherbakov | F♯ Major | 0 | 2B | 90 BPM | ||
| Poulenc: Clarinet Sonata, FP 184: II. Romanza | Francis Poulenc, Sabine Meyer | G Minor | 0 | 6A | 67 BPM | ||
| Gurrelieder, Pt. 1: No. 1, Orchestral Prelude | Arnold Schoenberg, Wiener Philharmoniker, Claudio Abbado | E♭ Major | 0 | 5B | 83 BPM | ||
| 10 Pieces for Piano, Op. 12: Prelude | Sergei Prokofiev, Lukas Geniusas | F Major | 0 | 7B | 82 BPM | ||
| Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Minor | 0 | 7A | 80 BPM | ||
| Scaramouche pour 2 pianos: Vif | Darius Milhaud, Edouard Exerjean, Philippe Corre | E Minor | 1 | 9A | 183 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| Piano Quintet, BB 33: Vivace - Scherzando | Béla Bartók, Kodály Quartet, Jenő Jandó | G Minor | 3 | 6A | 121 BPM | ||
| Poulenc: Piano Concerto, FP 146: I. Allegretto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | G Minor | 1 | 6A | 130 BPM | ||
| Balakirev: Berceuse in D-Flat Major | Mily Balakirev, Bertrand Chamayou | D♭ Major | 1 | 3B | 70 BPM | ||
| Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | F♯ Minor | 0 | 11A | 97 BPM | ||
| Liebermann: Gargoyles, Op. 29: II. Adagio semplice, ma con molto rubato | Lowell Liebermann, Stephen Hough | A♭ Major | 0 | 4B | 99 BPM | ||
| Baigneuses Au Soleil - Duo-Art 6581 | Déodat de Séverac, Peter Phillips, E. Robert Schmitz | F♯ Major | 0 | 2B | 69 BPM | ||
| Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1, Leicht, zart | Arnold Schoenberg, Daniel Barenboim | A Minor | 0 | 8A | 69 BPM | ||
| Nocturne No. 3 | Guy Ropartz, Stephane Lemelin | E♭ Major | 1 | 5B | 99 BPM | ||
| Three Piano Pieces, Op. 11: Massig | Arnold Schoenberg, Paul Jacobs | A Major | 0 | 11B | 144 BPM | ||
| 13 Preludes, Op. 32: No. 12 in G-sharp Minor: Allegro | Sergei Rachmaninoff, Boris Giltburg | E Major | 0 | 12B | 65 BPM | ||
| String Quartet No.1 in A Major | Alexander Borodin, Borodin Quartet | A Minor | 1 | 8A | 117 BPM | ||
| Six Little Piano Pieces, Op. 19: Leicht, zart | Arnold Schoenberg, Paul Jacobs | G Major | 0 | 9B | 76 BPM | ||
| Barcarolle, Op. 27 No. 1 | Moritz Moszkowski, Seta Tanyel | D♭ Major | 1 | 3B | 74 BPM | ||
| Cello Solo Sonata, Op. 8: I. Allegro maestoso ma appassionato | Zoltán Kodály, Johannes Przygodda | B Minor | 1 | 10A | 65 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| Piano Sonata in C Minor: I. Allegro moderato e con espressione | Fanny Mendelssohn, Heather Schmidt | E Major | 1 | 12B | 114 BPM |