"Magnificat: XI. Sicut locutus est" by Francisco Guerrero, Musica Ficta, Raúl Mallavibarrena had its release date on January 1, 1997. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Francisco Guerrero, Musica Ficta, Raúl Mallavibarrena's "Guerrero: Motecta" album is number 37 out of 39. Magnificat: XI. Sicut locutus est is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Magnificat: XI. Sicut locutus est by Francisco Guerrero, Musica Ficta, Raúl Mallavibarrena to be Larghissimo because the track has a tempo of 0 BPM, a half-time of 0BPM, and a double-time of 0 BPM. Based on that, the speed of the song's tempo is slow.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O virga ac diadema | Hildegard von Bingen, Les Flamboyants, Michael Form, Susanne Ansorg, Miriam Andersén, Kelly Landerkin | F Minor | 0 | 4A | 95 BPM | ||
| Nigra sum sed formosa II | Jean L'héritier, The Choir of King's College London, Gareth Wilson | G Major | 1 | 9B | 92 BPM | ||
| O victoriosissimi triumphatores | Hildegard von Bingen, Les Flamboyants, Michael Form, Susanne Ansorg, Kelly Landerkin | D♭ Major | 0 | 3B | 77 BPM | ||
| Sacrae Cantiones - Duo Seraphim (A 12) | Jordi Savall, Francisco Guerrero | A Minor | 1 | 8A | 74 BPM | ||
| Alfons V El Magnànim: Adoramus te (4v.) (El Cancionero de Montecassino, Música Religiosa) | La Capella Reial De Catalunya | E Minor | 0 | 9A | 114 BPM | ||
| Herr, nun lässest du deinen Diener in Friede fahren, SWV 281 | Heinrich Schütz, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 60 BPM | ||
| Missa Ecce sacerdos magnus: IIIa. Credo | Francisco Guerrero, Stephen Rice, The Brabant Ensemble | G Major | 2 | 9B | 106 BPM | ||
| Motetti per concerti ecclesiastici: No. 8, Quem vidistis pastores | Giovanni Bassano, Il Pomo D'oro, Giuseppe Maletto | G Minor | 1 | 6A | 100 BPM | ||
| Now Is the gentle season | Thomas Morley, Joculatores Upsalienses | F Major | 0 | 7B | 75 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): With Your Virgin Mother's Intercession | Komitas, Armen Badalyan, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | G Major | 1 | 9B | 83 BPM | ||
| O Domine Jesu Christe | Jean Mouton, The Suspicious Cheese Lords | A Major | 1 | 11B | 72 BPM | ||
| Now the Powers of Heaven | Sergei Glagolev, Cappella Romana, Vladimir Morosan | G Major | 2 | 9B | 66 BPM | ||
| Passion Week, Op. 13: VII. The Noble Joseph | Maximilian Steinberg, Cappella Romana, Alexander Lingas | A Minor | 0 | 8A | 74 BPM | ||
| Credo, JD 17: Credo (da gaudiorum premia), JD 17 | John Dunstable, Tonus Peregrinus, Antony Pitts | D♭ Major | 2 | 3B | 85 BPM | ||
| Rore: Descendi in hortum meum - 1. Descendi in hortum meum | Cipriano de Rore, Peter Phillips, The Tallis Scholars | F Major | 1 | 7B | 76 BPM | ||
| Lassus: Ave Regina caelorum | Orlande de Lassus, Peter Phillips, The Tallis Scholars | F♯ Major | 1 | 2B | 68 BPM | ||
| Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart, Sonntraud Engels-Benz, Frieder Bernius | D♭ Major | 1 | 3B | 66 BPM | ||
| Vespro della Beata Vergine, SV 206: IX. Concerto "Audi coelum" | Claudio Monteverdi, Philippe Herreweghe, Samuel Boden, Dorothee Mields, Barbora Kabátková, Benedict Hymas, William Knight, Peter Kooij, Collegium Vocale Gent | B♭ Minor | 0 | 3A | 75 BPM | ||
| O Virgo prudentissima: II. Secunda pars | Josquin des Prez, Odhecaton, The Gesualdo Six, Paolo da Col | G Major | 2 | 9B | 69 BPM | ||
| Alma Redemptoris | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 84 BPM | ||
| Clamabat autem mulier: II. At illa venit | Francisco Guerrero, Jordi Abelló, Alicia Ramonet, Lluis Vilamajo, Pau Bordas, Tomás Maxè, Ignasi Jorda | F♯ Minor | 2 | 11A | 84 BPM | ||
| Concerto: Audi cœlum | Claudio Monteverdi, Jordi Savall, La Capella Reial, Coro Del Centro Musica Antica Di Padova | F Major | 2 | 7B | 85 BPM | ||
| Relaxing Sleep Orthodox Chant Benedictine Monks | Gregorian Monk, Monks Of The Abbey Of Notre Dame, Gregorian Chants | A Minor | 2 | 8A | 129 BPM | ||
| Totus tuus | Chœur Éphata, Rogatien Despaigne | A Minor | 3 | 8A | 99 BPM | ||
| Vexilla regis: III. Impleta sunt | Francisco Guerrero, Pau Bordas, Albert Folch, Lluis Vilamajo, Tomás Maxè, Ignasi Jorda | B Minor | 1 | 10A | 57 BPM |