Miki Imai's ' "セカンドエンゲージ" was released on its scheduled release date, June 21, 1988. This song is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. The song is number 2 out of 11 in Bewith by Miki Imai. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, セカンドエンゲージ is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of セカンドエンゲージ by Miki Imai is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 私がオバさんになっても - シングル・ヴァージョン; 2012 Remaster | Chisato Moritaka | D Major | 8 | 10B | 126 BPM | ||
| 白いパラソル | Seiko Matsuda | B Major | 5 | 1B | 141 BPM | ||
| Squall (Original Version) | Masaharu Fukuyama | E Major | 3 | 12B | 70 BPM | ||
| The Stardust Memory | Kyoko Koizumi | E♭ Major | 7 | 5B | 145 BPM | ||
| 今日も眠れない | Takako Okamura | D♭ Major | 4 | 3B | 133 BPM | ||
| 濡れた髪のLonely | Satoshi Ikeda | A Major | 6 | 11B | 113 BPM | ||
| TAKAKO | Masaki Ueda | C Minor | 10 | 5A | 172 BPM | ||
| 僕がどんなに君を好きか、君は知らない | Hiromi Go | E♭ Major | 6 | 5B | 160 BPM | ||
| ハリウッド・スキャンダル | Hiromi Go | G Major | 4 | 9B | 114 BPM | ||
| 風の詩を聴かせて [2022 Remaster] | Keisuke Kuwata | A Major | 5 | 11B | 103 BPM | ||
| Fall in love with you -恋に落ちて- | Minako Honda, Seishiro Kusunose | B♭ Major | 4 | 6B | 81 BPM | ||
| Missing | Yasushi Nakanishi | E♭ Major | 6 | 5B | 120 BPM | ||
| 夜明けのブレス | The Checkers | C Major | 6 | 8B | 150 BPM | ||
| Boogie-Woogie Lonesome High-Heel | Miki Imai | D Minor | 4 | 7A | 90 BPM | ||
| FOREVER | Mayo Okamoto | D Major | 6 | 10B | 116 BPM | ||
| 恋しくて | BEGIN | A Major | 4 | 11B | 83 BPM | ||
| Ruby | Miki Imai | F Major | 2 | 7B | 76 BPM | ||
| 時間よ止まれ - Remastered 2022 | Eikichi Yazawa | C Minor | 6 | 5A | 131 BPM | ||
| WOMAN | Ann Lewis | A♭ Major | 9 | 4B | 206 BPM | ||
| ハピハピバースディ | Mayo Okamoto | A♭ Major | 9 | 4B | 148 BPM | ||
| あなたのキスを数えましょう 〜You were mine〜 - Single Version | Yuki Koyanagi | A Major | 5 | 11B | 126 BPM | ||
| Cymbals | Toshinobu Kubota | G Major | 6 | 9B | 93 BPM | ||
| 今を抱きしめて | Noa | E♭ Major | 3 | 5B | 144 BPM | ||
| 元気を出して | Hiroko Yakushimaru | C Major | 5 | 8B | 96 BPM | ||
| 瞳・元気 | Mariko Nagai | F Major | 6 | 7B | 120 BPM |