Paddock Park's ' "You Can Lift Your Dress Like Nobody's Business" was released on its scheduled release date, November 11, 2008. You Can Lift Your Dress Like Nobody's Business is considered explicit and may contain foul language. This song is about 3 minutes and 12 seconds, which is about the average length of a typical song. The song is number 4 out of 10 in A Hiding Place For Fake Friends by Paddock Park. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of You Can Lift Your Dress Like Nobody's Business is currently below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of You Can Lift Your Dress Like Nobody's Business by Paddock Park is Vivace (lively and fast), since this song has a tempo of 161 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Denying to Adapt Circumstances | Last Nights Favorite | A♭ Minor | 8 | 1A | 98 BPM | ||
| Lets Take Slow Steps | Yesterdays Rising | D Major | 9 | 10B | 85 BPM | ||
| Until Nightmares End | Forgotten Alibi | D Minor | 10 | 7A | 109 BPM | ||
| Allegations | We're Not Friends Anymore | F♯ Major | 10 | 2B | 170 BPM | ||
| Shine Or Die | Secrets Kept In Suicide | E Minor | 9 | 9A | 96 BPM | ||
| Spirits In The Walls - Acoustic | Ashes At Last | A Minor | 5 | 8A | 180 BPM | ||
| Don't Get In The Boat | Abandon The Shore | F Minor | 10 | 4A | 92 BPM | ||
| Teenager | Kiss Me Kiss That | G Minor | 9 | 6A | 76 BPM | ||
| Look Up, I See Neptune | Rosasharin | D Minor | 9 | 7A | 95 BPM | ||
| Everything In Exchange For Nothing | Ashes At Last | D♭ Major | 10 | 3B | 145 BPM | ||
| Who's Sandie Jenkins | Chiodos | D Minor | 9 | 7A | 184 BPM | ||
| Second Chance | Lovehatehero | E Minor | 9 | 9A | 126 BPM | ||
| Gray's A Shade Of Black | This Romantic Tragedy | A Major | 10 | 11B | 138 BPM | ||
| Succubus | We're Not Friends Anymore | D♭ Major | 10 | 3B | 175 BPM | ||
| See You in Virginia | Asteria | F Major | 9 | 7B | 175 BPM | ||
| Two Minutes in Hell | He Said She's Dead | D♭ Minor | 10 | 12A | 145 BPM | ||
| If Only Helen Keller Could Hear This | Ashes At Last | F Minor | 9 | 4A | 107 BPM | ||
| Bullet Holes in Concrete | This Armistice | D♭ Minor | 10 | 12A | 158 BPM | ||
| Doppleganger | Goodbye Soundscape | G Major | 8 | 9B | 148 BPM | ||
| We're Gonna Have Us A Champagne Jam | Chiodos | G Minor | 9 | 6A | 102 BPM | ||
| Ctrl+Alt+Delete | From Tomorrow | F♯ Minor | 9 | 11A | 92 BPM | ||
| Hold Fast, Stay True | Asteria | E Major | 9 | 12B | 160 BPM | ||
| I Was In "At The Surface" Once (Connor's Song) | Deadbeat Nightlife | F Minor | 10 | 4A | 152 BPM | ||
| Stars On Your Wrist | Unwanted Superheroes | A Major | 9 | 11B | 122 BPM | ||
| Just Know You Can | An Evening At Elmwood | F Major | 10 | 7B | 88 BPM |