Taylor Kopp's 'The Skin I'm In' had a release date set for May 1, 2020. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 10 in Found by Taylor Kopp. Based on our statistics, The Skin I'm In's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Skin I'm In by Taylor Kopp is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Is It Worth A Try | Roland Dixon, Sarrenna | A Major | 1 | 11B | 78 BPM | ||
| Second Time Around | Matthew Azrieli | E Minor | 2 | 9A | 87 BPM | ||
| Hurting No One | Kid Reverie | G Major | 2 | 9B | 108 BPM | ||
| Sleep & Wakling | Cole Scheifele | D♭ Major | 0 | 3B | 169 BPM | ||
| Slip Away | Dragovic | D Major | 2 | 10B | 151 BPM | ||
| Michigan - Live | The Milk Carton Kids | B Major | 3 | 1B | 113 BPM | ||
| Party | Michaeamsien | F Major | 0 | 7B | 65 BPM | ||
| Fresno | Taylor Kopp | C Major | 2 | 8B | 106 BPM | ||
| How Far Would I Go | The Lowest Pair | F Major | 1 | 7B | 80 BPM | ||
| Dust to Dust | Frances Luke Accord | F Major | 5 | 7B | 86 BPM | ||
| Passin' By | Highland Express | G Major | 6 | 9B | 168 BPM | ||
| Silver & Gold | Frances Luke Accord | E Major | 2 | 12B | 125 BPM | ||
| I Never Wanted to See Her Again | Jonathan Maud | A♭ Major | 5 | 4B | 141 BPM | ||
| The Best Exceptions | Kitty Andrew | C Major | 4 | 8B | 109 BPM | ||
| Open the Door | Chris and Thomas | E♭ Minor | 4 | 2A | 79 BPM | ||
| Take Me Home | Derek Burkins | C Major | 1 | 8B | 164 BPM | ||
| Over Yonder | Josh Oliver | D Major | 2 | 10B | 99 BPM | ||
| Mountain Highway Line | Taylor Kopp | C Major | 1 | 8B | 71 BPM | ||
| Murmur of Yearning | Thomas Csorba | F♯ Major | 4 | 2B | 144 BPM | ||
| Long Sleeve Summer | Lou Hazel | A Major | 5 | 11B | 79 BPM | ||
| You | The Heart and The Void, Natsuki Kurai | F Major | 4 | 7B | 138 BPM | ||
| Road to Heaven | The Dead Tongues | G Minor | 2 | 6A | 147 BPM | ||
| Must've Been Wild | Fretland | D♭ Major | 1 | 3B | 78 BPM | ||
| Rio | Jeffrey Foucault | F♯ Major | 2 | 2B | 102 BPM | ||
| Leaving Home, Looking Back | Matthew Fowler | B♭ Major | 3 | 6B | 115 BPM |