"Lost Futures" by Marisa Anderson, William Tyler had its release date on August 27, 2021. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Lost Futures's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marisa Anderson, William Tyler's "Lost Futures" album is number 2 out of 8. On top of that, United States appears to be the country where this track was created. In terms of popularity, Lost Futures is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Lost Futures by Marisa Anderson, William Tyler to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sarah Through The Wall | Brad Barr | F Major | 2 | 7B | 99 BPM | ||
| Spires | Steven R. Smith | G Major | 4 | 9B | 60 BPM | ||
| A Clearing in the Field | William Tyler | C Major | 1 | 8B | 114 BPM | ||
| Hard Times Come Again No More | Marisa Anderson | D Major | 4 | 10B | 112 BPM | ||
| Planxty Davis | Nathan Salsburg | B Major | 3 | 1B | 135 BPM | ||
| Sunflower River Blues | Jack Rose | E Major | 6 | 12B | 180 BPM | ||
| Blue Crystal Fire | Group Listening | A♭ Major | 4 | 4B | 78 BPM | ||
| Centuries of Fire | Los Days, Tommy Guerrero, Josh Lippi | C Minor | 3 | 5A | 187 BPM | ||
| Rebuilding | Jake Xerxes Fussell, James Elkington | F Major | 2 | 7B | 85 BPM | ||
| Suzushii Kaze | Fuubutsushi | C Major | 3 | 8B | 100 BPM | ||
| TWO HUNDRED AND SIXTEEN | Brad Barr | G Major | 2 | 9B | 135 BPM | ||
| That Was Then | Bill Frisell | D Major | 6 | 10B | 121 BPM | ||
| Frolic | Jake Xerxes Fussell | D♭ Major | 3 | 3B | 94 BPM | ||
| If I Had a Needle and Thread | Phil Cook | A♭ Major | 2 | 4B | 136 BPM | ||
| News About Heaven | Marisa Anderson, William Tyler | D Major | 2 | 10B | 71 BPM | ||
| Floating World | Mammal Hands | D♭ Major | 2 | 3B | 120 BPM | ||
| Aurora | Jim White, Marisa Anderson | A Major | 3 | 11B | 108 BPM | ||
| Caught Behind the Hours | Jeffrey Silverstein | G Major | 2 | 9B | 101 BPM | ||
| Lord It Over | Dylan Golden Aycock | G Major | 4 | 9B | 102 BPM | ||
| The Fellowship | Joseph Shabason | A♭ Major | 1 | 4B | 80 BPM | ||
| Kestrel | Caoimhín Ó Raghallaigh, Thomas Bartlett | C Major | 1 | 8B | 81 BPM | ||
| anteludium | Luke Schneider | C Major | 3 | 8B | 99 BPM | ||
| Cicada Waves 1 | Ben Seretan | D♭ Major | 0 | 3B | 73 BPM | ||
| All These Years | Phil Cook | D♭ Major | 1 | 3B | 109 BPM | ||
| Pretty Weeds Revisited | Bill MacKay, Ryley Walker | A Major | 2 | 11B | 89 BPM |