Supersonic Blues Machine, Robben Ford's 'Let's Call It A Day' had a release date set for February 26, 2016. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of West Of Flushing, South Of Frisco by Supersonic Blues Machine. The song's track number on the album is #12 out of 13 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Let's Call It A Day is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Let's Call It A Day by Supersonic Blues Machine, Robben Ford has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Let's Call It A Day being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Grandma's Hands | Simon McBride | D Major | 9 | 10B | 120 BPM | ||
| Hollywood 151 | Billy F Gibbons | B Major | 9 | 1B | 128 BPM | ||
| Roll the Dice Again | Stevie Nimmo | G Major | 9 | 9B | 106 BPM | ||
| Doing Too Much | Ronnie Baker Brooks, 'Big Head' Todd Mohr | A Major | 7 | 11B | 89 BPM | ||
| Too Late | Back Door Slam, Davy Knowles | E♭ Minor | 8 | 2A | 186 BPM | ||
| World Full of Women | Tony Spinner | D♭ Major | 8 | 3B | 148 BPM | ||
| Life On The Line | Julian Sas | A Minor | 8 | 8A | 113 BPM | ||
| Ten Thousand Watts | Altered Five Blues Band | A Minor | 9 | 8A | 96 BPM | ||
| Love Disease | Michael Burks | D Major | 7 | 10B | 105 BPM | ||
| Shotgun Callin' Blues | Blacktop Deluxe | A Minor | 5 | 8A | 120 BPM | ||
| Runaway | The Bluesbones | D♭ Major | 6 | 3B | 89 BPM | ||
| Crazy Into You | Quinn Sullivan | D Minor | 8 | 7A | 130 BPM | ||
| Why Did You Hoodoo Me | Savoy Brown | A Major | 8 | 11B | 132 BPM | ||
| Chills and Thrills (feat. Mike Campbell) | John Mayall, Mike Campbell | F Minor | 5 | 4A | 80 BPM | ||
| Playin' Hideaway | Walter Trout | G Minor | 9 | 6A | 132 BPM | ||
| Strategy | Devon Allman | B♭ Minor | 6 | 3A | 95 BPM | ||
| Primeval Baby (Tribal) | Rob Tognoni | A Minor | 9 | 8A | 116 BPM | ||
| Go Down Gamblin' | Simon McBride | A Major | 9 | 11B | 105 BPM | ||
| Two Steps Forward | Kirk Fletcher | A♭ Minor | 9 | 1A | 186 BPM | ||
| Crawl | Danielle Nicole | D Minor | 8 | 7A | 100 BPM | ||
| Lover Like You | Danny Bryant | C Major | 9 | 8B | 144 BPM | ||
| Open Road | Oli Brown | B♭ Minor | 7 | 3A | 160 BPM | ||
| Come Home | Back Door Slam, Davy Knowles | E♭ Minor | 8 | 2A | 186 BPM | ||
| Kink In The Chain | Mark Selby | A Major | 8 | 11B | 124 BPM | ||
| Don't You Throw That Mojo On Me | Mark Selby | A Major | 8 | 11B | 110 BPM |