石桁真礼生, 五郎部俊朗(テノール), 岡田知子(ピアノ)'s 'ふるさとの' had a release date set for October 1, 1997. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 日本の歌, so we believe that "ふるさとの" is a single. Based on our statistics, ふるさとの's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ふるさとの by 石桁真礼生, 五郎部俊朗(テノール), 岡田知子(ピアノ) is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Paysage sentimental | Dilyana Georgieva, Galina Apostolova | A♭ Major | 0 | 4B | 92 BPM | ||
| Vaga luna che inargenti | Vincenzo Bellini, Ruth Ann Swenson | A♭ Major | 0 | 4B | 169 BPM | ||
| Ives: Set No. 6 for Chamber Orchestra "From the Side Hill": I. Mists | Charles Ives, Ensemble Modern, Ingo Metzmacher | E♭ Major | 1 | 5B | 131 BPM | ||
| Tu lo sai | Giuseppe Torelli, Holly Bewlay, Sarah Rhee | E Major | 1 | 12B | 67 BPM | ||
| Sonata Santera: II. Ofrenda | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Frauenliebe und Leben, Op. 42: No. 3, Ich kann's nicht fassen, nicht glauben | Robert Schumann, Anne Sofie von Otter, Bengt Forsberg | C Minor | 0 | 5A | 131 BPM | ||
| Quatre Pièces fugitives (Nr 1 Larghetto) | Clara Schumann | F Major | 0 | 7B | 107 BPM | ||
| Jūra, MKČ 102: III. Development | Mikalojus Konstantinas Čiurlionis, Lithuanian National Symphony Orchestra, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Hébé, Op. 2 No. 6 | Ernest Chausson, Axel Bauni, Stella Doufexis | A Minor | 0 | 8A | 85 BPM | ||
| Te Deum, WAB 45: II. Te ergo, quaesumus | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | F Minor | 1 | 4A | 85 BPM | ||
| Petite messe solennelle: XVI. Sanctus | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Deniel Perer | E Minor | 1 | 9A | 93 BPM | ||
| Joutsen | SRK Instrumentaali, Virve Ruokokoski, Kristiina Puolitaival | E Major | 1 | 12B | 53 BPM | ||
| 4 Gesänge, Op. 43: I. Von ewiger Liebe | Johannes Brahms, Bernarda Fink, Roger Vignoles | G Major | 3 | 9B | 76 BPM | ||
| Messa di gloria, SC 6: IIIc. Credo. Crucifixus - Live | Giacomo Puccini, Bavarian Radio Chorus, Munich Radio Orchestra, Ivan Repušić | C Minor | 1 | 5A | 77 BPM | ||
| 6 songs, Op. 36: No. 1, Svarta rosor | Jean Sibelius, Kari Lövaas, Erik Werba | D Major | 2 | 10B | 74 BPM | ||
| Le roi d'Ys, Act III: Vainement, ma bien-aimiee, "Aubade" (arr. J. Szigeti for violin) | Joseph Szigeti, Édouard Lalo, Livia Sohn, Benjamin Loeb | D Major | 0 | 10B | 82 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| Voi, che sapete (Le nozze di Figaro) | Rise Stevens | B♭ Major | 1 | 6B | 70 BPM | ||
| Fractured Mind | Orithia | D♭ Major | 1 | 3B | 101 BPM | ||
| Ravel: 5 Mélodies populaires grecques, M. A 10: No. 2, Là-bas, vers l'église | Maurice Ravel, Sabine Devieilhe, Alexandre Tharaud | E Major | 1 | 12B | 74 BPM | ||
| Cui: 20 Poèmes de Jean Richepin, Op. 44: No. 1, Berceuse. "Dors, mon fieux, dors" | César Cui, Boris Christoff, Janine Reiss | D Minor | 1 | 7A | 112 BPM | ||
| Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVI. Allegretto | Sergei Rachmaninoff, Cecile Ousset, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | C Major | 2 | 8B | 106 BPM | ||
| ピアノ協奏曲 第3番 ハ短調 作品37: 第2楽章: Largo | Ludwig van Beethoven, Nobuyuki Tsujii, シドニー・シンフォニー・オーケストラ, Vladimir Ashkenazy | A♭ Major | 0 | 4B | 168 BPM | ||
| 3 Liriche, P. 099a (Orch. Salvatore Di Vittorio): No. 1, Notte | Ottorino Respighi, Alessandra Visentin, Chamber Orchestra of New York, Salvatore Di Vittorio | F Major | 1 | 7B | 75 BPM | ||
| Violin Sonata: I. Allegro | Huw Watkins, Tamsin Waley-Cohen | D Major | 2 | 10B | 74 BPM |