"Alma Redemptoris Mater" by Anonymous, The Cambridge Singers, John Rutter had its release date on September 2, 2014. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 55 in the song's album "Rutter: A Double Celebration". In this album, this song's track order is #2. Alma Redemptoris Mater is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Alma Redemptoris Mater by Anonymous, The Cambridge Singers, John Rutter having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Messe de Notre-Dame: X. Agnus Dei | Guillaume de Machaut, Ensemble Organum, Marcel Pérès | F♯ Major | 1 | 2B | 87 BPM | ||
| Gloria V - In Nativitate Domini ad Missam in die | Gregorian Chant, Schola of the Hofburgkapelle, Vienna, Hubert Dopf S.J. | B Minor | 0 | 10A | 84 BPM | ||
| Graduale: Christus Factus Est, Modo V | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | B Minor | 0 | 10A | 131 BPM | ||
| Motets: Cantate domino | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 77 BPM | ||
| Rorate caeli desuper | Schola Antiqua, Schola Gregoriana Hispana | F♯ Major | 1 | 2B | 137 BPM | ||
| Templum Secretum | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | C Minor | 0 | 5A | 75 BPM | ||
| Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | ||
| Midnight Mass: Gradual: Tecum Principium (Mode II) | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | B Minor | 2 | 10A | 78 BPM | ||
| Noël aux Vents de Partout | Laurent Jenny, Louis-Marc Crausaz, L'Accroche-Choeur, ensemble vocal Fribourg | C Major | 2 | 8B | 74 BPM | ||
| The Nativity Troparion F-dur, The Nativity and Divine Liturgy Chants, for Mixed Choir a Cappella, Op. 36 | St.Petersburg Chamber Choir, Nikolay Korniev | F♯ Minor | 1 | 11A | 77 BPM | ||
| What Can I Give Him | The Choir of All Saints' Episcopal Church | F Major | 1 | 7B | 113 BPM | ||
| Time | Vokalensemble incantanti | D Minor | 1 | 7A | 79 BPM | ||
| Orthodox Chanting Church Choir Worship | Queen of Apostles, Capella Gregoriana, The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | F Major | 1 | 7B | 102 BPM | ||
| Proteggimi, O Dio | Musica Sacra | E Minor | 2 | 9A | 72 BPM | ||
| Gloria in D Major: Et in terra | Antonio Lotti, Mária Zádori, Judit Nemeth, Gábor Oláh, Tibor Gyenge, László Donyec, Mihály Lakatos, Henrik Hirschberg, Antal Pálkövi, Lotti Chamber Choir, Camerata Pro Musica Chamber Orchestra, Ferenc Rózsa | D Major | 0 | 10B | 84 BPM | ||
| Messa sesta pro defunctis: II. Te decet hymnus - Kyrie | Ignatio Donati, Gruppo madrigalistico del Conservatorio di Como, Schola cantorum del Conservatorio di Como, Antonio Eros Negri, Coro Polifonico del Conservatorio di Como | F Major | 3 | 7B | 81 BPM | ||
| Laudate Dominum | Christian Theodor Weinlig, Leipzig Thomaner Choir, Hans-Joachim Rotzsch | G Major | 1 | 9B | 76 BPM | ||
| Miserere mei Deus, C. 116: VI. Docebo iniquos vias tuas | Louis-Nicolas Clérambault, La Néréide, Emmanuel Arakelian | D♭ Major | 2 | 3B | 107 BPM | ||
| Magne Pater Augustine | Francisco Guerrero, A5 Vocal Ensemble | B♭ Major | 2 | 6B | 95 BPM | ||
| Wait for the Lord | The Songs of Taize Session Singers | E Minor | 1 | 9A | 72 BPM | ||
| Oh Heiland reiß die HImmel auf | Junge Trompeter, Pare Jordi Bou | D Minor | 2 | 7A | 110 BPM | ||
| Regreso a la Tonada (Arr. Eduardo Ferraudi) | Sexteto Cantábile | F Minor | 1 | 4A | 108 BPM | ||
| Attende Domine et miserere | Schola Antiqua, Schola Gregoriana Hispana | D Major | 1 | 10B | 67 BPM | ||
| No Small Wonder | The Concord Singers | E Minor | 0 | 9A | 68 BPM | ||
| Adoramus te Christe | Théodore Dubois, Chorale franco-allemande de Paris, Bernard Lallement, Georges Bessonnet, Thierry Pentsch, Li-Chin Huang | C Major | 0 | 8B | 127 BPM |