"Resolutions" by Craig Armstrong had its release date on January 1, 1999. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Resolutions's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Plunkett And Macleane". In this album, this song's track order is #18. Resolutions is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Resolutions by Craig Armstrong having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mom's On Call / Late To Trolley | Clint Eastwood | D♭ Major | 1 | 3B | 105 BPM | ||
| Professor Alexander Hartdegen | Klaus Badelt | A Minor | 2 | 8A | 137 BPM | ||
| Grandes Sueños | Fernando Velázquez | E♭ Major | 0 | 5B | 137 BPM | ||
| The Wedding | Bear McCreary | F Major | 1 | 7B | 96 BPM | ||
| Atelier Fontana - Main Title | Andrea Guerra | F Major | 1 | 7B | 132 BPM | ||
| Deep In Thought | Clint Eastwood | F Major | 1 | 7B | 115 BPM | ||
| The Whole of Humanity | Steven Price | F Minor | 1 | 4A | 88 BPM | ||
| A Grand Finish | Kris Bowers | A♭ Major | 4 | 4B | 109 BPM | ||
| Playing Townes | Carlos Rafael Rivera | F Major | 0 | 7B | 68 BPM | ||
| Distant Lives (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Marcia Crayford, Gabrielle Lester | E♭ Major | 0 | 5B | 55 BPM | ||
| A Game of Cricket (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Gabrielle Lester, Marcia Crayford | D Major | 2 | 10B | 151 BPM | ||
| Daniel and Ruth | Mark Isham | G Major | 1 | 9B | 120 BPM | ||
| Main Title | William Ross | A Major | 1 | 11B | 172 BPM | ||
| Persuasion (From "Persuasion") [BBC 2007 Adaptation] | Regency Players | C Major | 1 | 8B | 100 BPM | ||
| The Balcony Scene (From "Romeo and Juliet") | Craig Armstrong, Royal Philharmonic Orchestra, Paul Bateman | C Major | 0 | 8B | 133 BPM | ||
| Any Other Name | Thomas Newman | G Minor | 0 | 6A | 78 BPM | ||
| Precious to Me | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 80 BPM | ||
| A Strange Shape | Kevin Smuts | B Major | 1 | 1B | 110 BPM | ||
| The Dressmaker Closing Credits | David Hirschfelder | D Minor | 1 | 7A | 74 BPM | ||
| Epilogue | Jóhann Jóhannsson | A Minor | 1 | 8A | 136 BPM | ||
| Leave the Past Behind | Bear McCreary | D Minor | 1 | 7A | 76 BPM | ||
| The Cave Of Swimmers | Academy of St. Martin in the Fields, Gabriel Yared | C Major | 2 | 8B | 87 BPM | ||
| Ballycarbery Castle | Randy Edelman | G Major | 2 | 9B | 148 BPM | ||
| End Roller | Peter Gregson | E♭ Major | 0 | 5B | 75 BPM | ||
| Lord M | Martin Phipps | E♭ Minor | 1 | 2A | 70 BPM |