Johann Hermann Schein, Collegium Terpsichore, Fritz Neumeyer's ' "Suite No.5 In G: 4. Allemande - Tripla" was released on its scheduled release date, January 1, 2000. With This song being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 40 in the song's album "Renaissance Dance Music". In this album, this song's track order is #29. Suite No.5 In G: 4. Allemande - Tripla is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Suite No.5 In G: 4. Allemande - Tripla by Johann Hermann Schein, Collegium Terpsichore, Fritz Neumeyer having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Gordion Knot Unty'd, Z. 597: Fourth Act Tune: Jig | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 100 BPM | ||
| Ich weiss, dass mein Erlöser lebet | Johann Michael Bach, Vox Luminis, Lionel Meunier | G Major | 0 | 9B | 123 BPM | ||
| Israelis Brünnlein, S 1385: Zion spricht: Der Herr hat mich verlassen | Johann Hermann Schein, Ensemble Vocal Européen, Philippe Herreweghe | B♭ Major | 1 | 6B | 66 BPM | ||
| Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VII. Courant | Dietrich Becker, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | D♭ Major | 3 | 3B | 81 BPM | ||
| Missa pro defunctis: VII. Communio (Lux aeterna) | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 0 | 7B | 83 BPM | ||
| Banchetto Musicale, Suite No. 1, II. Padouana | Johann Hermann Schein, Accademia Del Ricercare, Pietro Busca | F Major | 2 | 7B | 67 BPM | ||
| Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VI. Allmandt | Dietrich Becker, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | D♭ Major | 2 | 3B | 79 BPM | ||
| Cantiones sacrae sex vocum: IV. Qui timet Deum | Orlande de Lassus, Collegium Vocale Gent, Philippe Herreweghe | C Major | 2 | 8B | 78 BPM | ||
| Petite messe solennelle: V. Gloria. Et in terra pax hominibus | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | G Major | 1 | 9B | 102 BPM | ||
| Lachrimae Antiquae Novae from Lachrimae, or Seaven Teares | John Dowland, Fretwork | G Minor | 0 | 6A | 113 BPM | ||
| Sonates sans basse: Sonata in G Major, TWV 40:101: Soave | Georg Philipp Telemann, Mindy Rosenfeld, Stephen Schultz, American Baroque | E♭ Major | 0 | 5B | 129 BPM | ||
| Mein junges Leben hat ein End | Jan Pieterszoon Sweelinck, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 70 BPM | ||
| Saltarello della tedesca | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | D Minor | 1 | 7A | 129 BPM | ||
| Israelsbrünnlein: XVII. Herr, laß meine Klage | Johann Hermann Schein, Christine Hesse, Friedhelm Rentzsch, Stefan Maass, Dresdner Kammerchor, Hans-Christoph Rademann | G Major | 1 | 9B | 66 BPM | ||
| Chiaccona in partite variate | Alessandro Piccinini, Playfords | D♭ Minor | 0 | 12A | 70 BPM | ||
| Kaiserrequiem: V. Sanctus - Beneditus - Hosanna | Johann Joseph Fux, Vox Luminis, Lionel Meunier, Scorpio Collectif | E♭ Major | 1 | 5B | 107 BPM | ||
| Sonata à 2 in D Minor | Antonio Bertali, Ecco la musica | E♭ Major | 1 | 5B | 112 BPM | ||
| Cello Sonata No. 3 in C Major: III. Amoroso | Alessandro Scarlatti, Guadalupe López-Íñiguez, Markku Luolajan-Mikkola, Olli Hyyrynen | G Major | 0 | 9B | 105 BPM | ||
| Premier livre de danseries: Suite de branles gay | Jean d’Estrées, Into the Winds | F Minor | 3 | 4A | 132 BPM | ||
| Lachrimae or Seven Tears: I. Lachrimae antiquae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Ouverture in G Major: III. Sarabande | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 1 | 7B | 113 BPM | ||
| Atys, LWV 53, Prologue: Deuxième air pour la suite de Flore (I) | Jean-Baptiste Lully, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | F Major | 2 | 7B | 176 BPM | ||
| Airs de cour à quatre & cinq parties, Livre I: Bien qu'un cruel martire | Pierre Guédron, Le Poème Harmonique, Vincent Dumestre | E Minor | 1 | 9A | 117 BPM | ||
| Offerte pour l'orgue et pour les violons, flûtes et hautbois, H. 514 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 55 BPM | ||
| Leçons de ténèbres: IIa. Vau. Et egressus est a filia Sion | François Couperin, Jonathan Cohen, Anna Dennis, Arcangelo | C Major | 1 | 8B | 74 BPM |