"Ocean Dusk" by Wayne Roland Brown had its release date on 1992. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Ocean Dusk's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "One Song All Seasons". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. In terms of popularity, Ocean Dusk is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ocean Dusk by Wayne Roland Brown having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
The music key of this track is B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mona Lisa | Cretu & Thiers | F♯ Minor | 6 | 11A | 128 BPM | ||
| Shangri-La | Roman Grey | A♭ Major | 9 | 4B | 111 BPM | ||
| The Living Daylights | a-ha | D Minor | 8 | 7A | 120 BPM | ||
| Bit By Bit (Theme From "Fletch") | Stephanie Mills | A♭ Major | 8 | 4B | 134 BPM | ||
| Marina | Jan Hammer | F♯ Minor | 4 | 11A | 147 BPM | ||
| All I Need Is a Miracle | Mike + The Mechanics | C Major | 8 | 8B | 135 BPM | ||
| I'm The Dude | Keith Forsey | B♭ Minor | 7 | 3A | 89 BPM | ||
| Save Me | Peter Cetera | F♯ Major | 6 | 2B | 93 BPM | ||
| The Promise - 2010 Remaster | Arcadia | A Minor | 7 | 8A | 117 BPM | ||
| Arizona Sky | China Crisis | B♭ Major | 5 | 6B | 107 BPM | ||
| Love Is All That Matters - Edit | The Human League | E♭ Major | 9 | 5B | 111 BPM | ||
| Doctor! Doctor! (Phil Thornalley Remix) | Thompson Twins, Phil Thornalley | C Major | 7 | 8B | 113 BPM | ||
| Wait - From "To Live And Die In L.A." Soundtrack | Wang Chung | G Major | 5 | 9B | 104 BPM | ||
| State of the Heart | Rick Springfield | D Major | 5 | 10B | 108 BPM | ||
| My Only Love | Roxy Music | E♭ Minor | 6 | 2A | 120 BPM | ||
| Same Old Story - 2009 Remaster | Ultravox | A Major | 9 | 11B | 128 BPM | ||
| Life's Rich Tapestry | Modern English | A Major | 4 | 11B | 176 BPM | ||
| Fascination - Extended Remix | The Human League | C Major | 5 | 8B | 119 BPM | ||
| Are You Ever Coming Back? | The Human League | A Minor | 7 | 8A | 114 BPM | ||
| Goodnight Sweetheart | Wayne Roland Brown | A Minor | 7 | 8A | 141 BPM | ||
| You Never Know - Remastered | Fine Young Cannibals | C Major | 9 | 8B | 111 BPM | ||
| Gratitude | Danny Elfman | E♭ Major | 6 | 5B | 111 BPM | ||
| A Crazy Thing to Do | Wayne Roland Brown | B Minor | 5 | 10A | 96 BPM | ||
| Easy Come Easy Go | Wayne Roland Brown | G Major | 6 | 9B | 148 BPM | ||
| So the Story Goes | Living In A Box | B Minor | 10 | 10A | 143 BPM |