"The Arab's Song" by Herbert Howells, Matthew Schellhorn had its release date on December 2, 2022. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Herbert Howells, Matthew Schellhorn's "Howells: Piano Music, Vol. 2" album is number 2 out of 29. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, The Arab's Song's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Arab's Song by Herbert Howells, Matthew Schellhorn to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| There Shall a Star (Mendelssohn) | Notre Dame Liturgical Choir | E♭ Major | 2 | 5B | 76 BPM | ||
| Quatre petites prières de Saint François d’ Assise: III. Seigneur, je vous en prie | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
| Tristis Est Anima Mea | Johann Kuhnau | F Minor | 1 | 4A | 134 BPM | ||
| Legend (The Crown of Roses) | Pyotr Ilyich Tchaikovsky, Tenebrae, Nigel Short | E Minor | 0 | 9A | 126 BPM | ||
| Gloucester Service: I. Magnificat | Herbert Howells, Gloucester Cathedral Choir, Mark Lee, John Sanders | E Minor | 0 | 9A | 131 BPM | ||
| Psalm 96: O Sing Unto The Lord (Thalben-ball) | St. Thomas Choir Of Men And Boys, Gerre Hancock | A♭ Major | 1 | 4B | 67 BPM | ||
| The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | ||
| Requiem, Op. 9: VII. Lux æterna | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | B♭ Major | 0 | 6B | 131 BPM | ||
| Inventions for Choir & Piano: No. 1, The Silence Moves | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | F Major | 2 | 7B | 89 BPM | ||
| 3 Shakespeare Choruses, Op. 39: No. 2, Come unto these yellow sands | Amy Beach, Jessica Petrus, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie, Etherea Vocal Ensemble | B♭ Major | 1 | 6B | 77 BPM | ||
| Messe solennelle pour deux orgues et choeur, Op. 16: V. Agnus Dei | Louis Vierne, Michel Bouvard | A♭ Major | 1 | 4B | 81 BPM | ||
| Nocturnes: Sure On This Shining Night | Voce | D♭ Major | 0 | 3B | 128 BPM | ||
| Incipit oratio Jeremiae prophetae: III. Pupilli facti sumus | Dominique Phinot, El León de Oro, Peter Phillips | G Major | 1 | 9B | 89 BPM | ||
| Psalm 23: The Lord Is My Shepherd (Goss) | St. Thomas Choir Of Men And Boys, Gerre Hancock | A♭ Major | 1 | 4B | 67 BPM | ||
| Oedipus, Z.583: II. Music for a While | Henry Purcell, Musikhögskolans Kammarkör Piteå, Andrea Hagman, Erik Westberg | D♭ Major | 4 | 3B | 80 BPM | ||
| Goodnight Moon | Eric Whitacre, Adrian Kirtley, 2022 Chamber, Timber Creek HS Chamber | G Major | 1 | 9B | 132 BPM | ||
| The Darkness Is No Darkness | Judith Bingham, Hannah Holgersson, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 85 BPM | ||
| Mother of God, Here I stand | John Tavener, Irene Messoloras, Meridian | G Major | 1 | 9B | 86 BPM | ||
| Blessed Be That Maid Mary | St Martin's Voices | F Major | 1 | 7B | 88 BPM | ||
| Child of Song | Kim André Arnesen, Beryl Fanslow, Kantorei, Joel Rinsema | C Major | 1 | 8B | 71 BPM | ||
| Echoes of the Lost World | Darius Lim, Voices of Singapore Children’s Choir, Gabriel Hoe, Richard Ter, Kangren Chen, Julian Li | A Minor | 2 | 8A | 71 BPM | ||
| To Morning | Gabriel Jackson, William Blake, The Choir of Magdalen College, Oxford, Mark Williams | C Major | 2 | 8B | 109 BPM | ||
| Rose: Responses | Wells Cathedral Choir, Rupert Gough | D Major | 0 | 10B | 96 BPM | ||
| In manus tuas I: In manus tuas I | John Sheppard, Stile Antico | C Major | 0 | 8B | 79 BPM | ||
| Footprints: II. Footprints | Will Todd, Christopher Finch, Wellensian Consort | F♯ Major | 2 | 2B | 67 BPM |