Four Tops's ' "Call On Me" was released on its scheduled release date, January 1, 1965. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Call On Me's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 11 in Four Tops by Four Tops. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Call On Me is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Call On Me by Four Tops is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| He Don't Belong to Me | Doris Troy | B♭ Minor | 3 | 3A | 87 BPM | ||
| That's How Heartaches Are Made | Baby Washington | D♭ Minor | 4 | 12A | 99 BPM | ||
| Gimme Little Sign | Brenton Wood | B♭ Minor | 7 | 3A | 113 BPM | ||
| Mannish Boy | The Newcomers | F Minor | 5 | 4A | 107 BPM | ||
| Don't Let the Green Grass Fool You | Wilson Pickett | F♯ Minor | 7 | 11A | 152 BPM | ||
| Never Let Me Go | Lloyd Price | E♭ Major | 6 | 5B | 198 BPM | ||
| I've Been Good To You - Album Version / Mono | The Miracles | F Minor | 5 | 4A | 96 BPM | ||
| I Needed Somebody | Ann Peebles | B♭ Major | 3 | 6B | 118 BPM | ||
| Can't Go No Further and Do No Better | The Persuaders | B Major | 3 | 1B | 121 BPM | ||
| Ten Commandments Of Love | The Moonglows | E♭ Major | 1 | 5B | 176 BPM | ||
| Baby Come Close | Smokey Robinson | B Major | 4 | 1B | 125 BPM | ||
| Let Me Be The Clock | Smokey Robinson | A Major | 5 | 11B | 162 BPM | ||
| Wild Flower | The New Birth | F♯ Major | 4 | 2B | 121 BPM | ||
| I'll Wait For You - Single Version | The Originals | C Minor | 5 | 5A | 95 BPM | ||
| Mama Said | The Shirelles | D♭ Minor | 3 | 12A | 141 BPM | ||
| Storybook of Love | The Superbs | D Minor | 4 | 7A | 202 BPM | ||
| I Miss You (feat. Teddy Pendergrass) | Harold Melvin & The Blue Notes, Teddy Pendergrass | D Major | 5 | 10B | 130 BPM | ||
| Cherish | Four Tops | F Major | 5 | 7B | 113 BPM | ||
| Love on a Two-Way Street | The Moments | D Major | 4 | 10B | 142 BPM | ||
| Gonna Give Her All The Love I've Got | Jimmy Ruffin | C Major | 3 | 8B | 134 BPM | ||
| Take Me In Your Arms (Rock Me A Little While) - Single Version | Kim Weston | F Minor | 8 | 4A | 89 BPM | ||
| Stop, Look, Listen (To Your Heart) | The Stylistics | E♭ Minor | 5 | 2A | 75 BPM | ||
| Hard to Know | Oneness | F♯ Minor | 3 | 11A | 86 BPM | ||
| Under the Street Lamp | The Exits | F Major | 5 | 7B | 67 BPM | ||
| Left With A Broken Heart | Four Tops | C Major | 6 | 8B | 100 BPM |