"The Final Act" by Zachary Heyde, Zach Heyde had its release date on May 16, 2025. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. The Final Act's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "The Call of Raven's Hollow". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. In terms of popularity, The Final Act is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Final Act by Zachary Heyde, Zach Heyde having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dance with Me | Liliya Kumar, Lofi Chills | B♭ Minor | 2 | 3A | 120 BPM | ||
| I Was Petrified Of Sharks | Roger Goula, Sam Thompson | G Major | 5 | 9B | 176 BPM | ||
| Gentle Release | White Renaissance | C Minor | 3 | 5A | 79 BPM | ||
| The Last Thing | Clinton Shorter | C Minor | 3 | 5A | 79 BPM | ||
| A Specific Time To Contemplate Reality | Spirit Drive | G Major | 3 | 9B | 142 BPM | ||
| Castle Rocks | Rudy Adrian | A Minor | 0 | 8A | 69 BPM | ||
| Thousand | Almira Gokmen, Almira | E Minor | 1 | 9A | 83 BPM | ||
| Final Journey | Benjamin Wallfisch, Chris Egan | C Minor | 3 | 5A | 79 BPM | ||
| The Final Act | Pinar Toprak | F Major | 4 | 7B | 98 BPM | ||
| Dominate Dominate | Xhosa Zediah | B♭ Major | 0 | 6B | 220 BPM | ||
| Find Alexander | Nathan Micay | D Minor | 3 | 7A | 120 BPM | ||
| Mirages at Dawn | Knut Avenstroup Haugen, The Chamber Orchestra Of London | D Major | 1 | 10B | 100 BPM | ||
| The Burning of Kullervo | Lauri Porra, Lahti Symphony Orchestra, Kristian Sallinen | C Minor | 3 | 5A | 79 BPM | ||
| Kakkain Police Camp (From "Eko") | Mujeeb Majeed | A♭ Minor | 4 | 1A | 150 BPM | ||
| Descubriendo Limites | Universo De Oro | A Major | 1 | 11B | 110 BPM | ||
| Everything Else Disappears | Martin Stig Andersen, Gildaa | C Minor | 3 | 5A | 79 BPM | ||
| Omega Region | Bleeding Fingers, James Everingham | F Major | 2 | 7B | 120 BPM | ||
| Jesus Escapes | Lisa Gerrard | A Minor | 1 | 8A | 100 BPM | ||
| Reflusso Stellare | EDO ZENITH | A Major | 2 | 11B | 70 BPM | ||
| Monopolizando Poder | Hasta El Final | A♭ Major | 0 | 4B | 140 BPM | ||
| Momentum | Giuliano Poles | C Minor | 3 | 5A | 79 BPM | ||
| Mary of Shadows | Stephen James Moore, Steve Moore | E Minor | 2 | 9A | 113 BPM | ||
| At Peace | Clinton Shorter | G Minor | 2 | 6A | 136 BPM | ||
| Lost in the Sky | Martin Wave | E Major | 0 | 12B | 83 BPM | ||
| Ipnotico | Non Binary | C Minor | 2 | 5A | 140 BPM |