"In Your Eyes" by Philip Wesley had its release date on October 1, 2016. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 16 in Beyond Cloud Nine by Philip Wesley. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In Your Eyes is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of In Your Eyes by Philip Wesley is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bridge of Grace | Christine Brown | B♭ Major | 1 | 6B | 76 BPM | ||
| Firefly Light | Philip Wesley | A Major | 1 | 11B | 131 BPM | ||
| The Orange Fox Waits | Robin Spielberg | D Major | 1 | 10B | 94 BPM | ||
| Eden Again | David Nevue | B Minor | 1 | 10A | 115 BPM | ||
| After Night | Charlie Key | B♭ Major | 0 | 6B | 69 BPM | ||
| Merry Go Round | Izumi Tanaka | A♭ Major | 0 | 4B | 69 BPM | ||
| The Knowing of Being | Liljaa Valjas | C Major | 1 | 8B | 113 BPM | ||
| For Ross | Thad Fiscella | E Major | 1 | 12B | 97 BPM | ||
| Rapids | Sarah Modene | G Major | 1 | 9B | 61 BPM | ||
| Equestrian Dream | Philip Wesley | E♭ Major | 2 | 5B | 151 BPM | ||
| Now | Dilia | C Minor | 0 | 5A | 170 BPM | ||
| Odd Ones | Conrad Sieverts | A Minor | 1 | 8A | 121 BPM | ||
| Dinner For Two | Allysa Nelson | E♭ Major | 0 | 5B | 71 BPM | ||
| My Angel | Craig Urquhart | A Major | 0 | 11B | 81 BPM | ||
| Synesthesia (Scaled Down Version) | Peter Sandberg | A Major | 1 | 11B | 130 BPM | ||
| Beauty And The Beast | Steve Whales | C Major | 1 | 8B | 132 BPM | ||
| Rain | James Spiteri | A Major | 1 | 11B | 133 BPM | ||
| The Unknown | Philip Wesley | E Minor | 3 | 9A | 152 BPM | ||
| Day We Met | Philip Wesley | E Major | 0 | 12B | 65 BPM | ||
| Goodnight Moon | Christopher Ferreira | D♭ Major | 0 | 3B | 171 BPM | ||
| Possibility | Sarah Modene | F Major | 1 | 7B | 92 BPM | ||
| After The Rain | Max Swan | E Minor | 0 | 9A | 74 BPM | ||
| For the Loved Ones | Charlie Key | A Minor | 0 | 8A | 98 BPM | ||
| Soul Searching | The Tides | F Minor | 0 | 4A | 65 BPM | ||
| Self-Assured | Louis Landon | B♭ Major | 0 | 6B | 74 BPM |