Mohammed Rafi's ' "Dheere Chal Zara - Edited Version / From "Hum Paanch"" was released on its scheduled release date, May 5, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Mohammed Rafi's "Icon" album is number 10 out of 15. On top of that, India appears to be the country where this track was created. In terms of popularity, Dheere Chal Zara - Edited Version / From "Hum Paanch" is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Dheere Chal Zara - Edited Version / From "Hum Paanch" by Mohammed Rafi to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rang Barse Bheege Chunarwali | Amitabh Bachchan | D Major | 5 | 10B | 120 BPM | ||
| Deewana Dil Deewana | Jatin-Lalit, Amit Kumar, Udit Narayan | D Major | 6 | 10B | 106 BPM | ||
| Jane Chaman Shola Badan | Sharda, Mohammed Rafi | D Minor | 6 | 7A | 105 BPM | ||
| Dhal Gaya Din Ho Gayi Sham | Asha Bhosle, Mohammed Rafi, Laxmikant–Pyarelal | G Major | 5 | 9B | 118 BPM | ||
| Chandi Jaisa Rang Hai | Pankaj Udhas | A Major | 7 | 11B | 77 BPM | ||
| Kahin Door Jab Din Dhal Jaye | Mukesh, Salil Chowdhury | F Major | 4 | 7B | 91 BPM | ||
| Koi Jab Tumhara Hriday Tod De | Mukesh, Kalyanji-Anandji | F Major | 1 | 7B | 115 BPM | ||
| Sab Kuchh Seekha Ham Ne - Jhankar Beats | Hero And King Of Jhankar Studio, Mukesh | A Minor | 6 | 8A | 99 BPM | ||
| Seene Mein Jalan | Suresh Wadkar | G Major | 5 | 9B | 174 BPM | ||
| Ranjish Hi Sahi | Mehdi Hassan | G Major | 5 | 9B | 133 BPM | ||
| Teri Meherbaniyan | Shabbir Kumar | B♭ Minor | 6 | 3A | 138 BPM | ||
| Jane Woh Kaise Log The | Hemant Kumar | E Major | 3 | 12B | 93 BPM | ||
| Tumhein Apna Banane Ki Kasam Khai Hai | Kumar Sanu | C Minor | 5 | 5A | 105 BPM | ||
| O Duniya Ke Rakhawaale | Naushad, Mohammed Rafi | D Minor | 5 | 7A | 92 BPM | ||
| Commentry Tabassum And Aaiye Meharban - Howrah Bridge | Tabassum, Asha Bhosle, O. P. Nayyar | C Major | 5 | 8B | 119 BPM | ||
| Laila O Laila - From "Qurbani" | Kanchan, Amit Kumar | G Minor | 5 | 6A | 133 BPM | ||
| Rimjhim Ke Tarane Leke Aai Barsaat | Geeta Dutt, Mohammed Rafi | F♯ Major | 4 | 2B | 100 BPM | ||
| Isharon Isharon Men Dil Lenewale | Asha Bhosle, Mohammed Rafi | F Major | 4 | 7B | 137 BPM | ||
| Beqarar Hai Koi | Suraiya, Mohammed Rafi | E♭ Minor | 3 | 2A | 161 BPM | ||
| Sajna O Sajna-Le To | Hemlata | A♭ Minor | 6 | 1A | 87 BPM | ||
| Yeh Lamhe Yeh Pal | Hariharan | G Major | 4 | 9B | 127 BPM | ||
| O Goriya Re | K. J. Yesudas | A Minor | 5 | 8A | 98 BPM | ||
| Meri Yaad Mein Tum Na Ansoo Bahana | Talat Mahmood | G Minor | 3 | 6A | 142 BPM | ||
| Tumhen Ho Na Ho | Runa Laila | D♭ Major | 5 | 3B | 87 BPM | ||
| Commentry Tabassum And Chingari Koi Bhadke | Tabassum, Kishore Kumar, R. D. Burman | B Minor | 4 | 10A | 87 BPM |