"A Ceremony Of Carols, Op. 28: Procession" by Benjamin Britten, The Sixteen, Harry Christophers had its release date on October 1, 2005. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 26 in A Ceremony Of Carols - Britten Choral Works II by Benjamin Britten, The Sixteen, Harry Christophers. Based on our statistics, A Ceremony Of Carols, Op. 28: Procession's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Ceremony Of Carols, Op. 28: Procession by Benjamin Britten, The Sixteen, Harry Christophers is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gli uccelli (The Birds), P. 154: I. Preludio. Allegro moderato | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 73 BPM | ||
| The Foggy Foggy Dew | Traditional, Sir Peter Pears, Benjamin Britten | A♭ Major | 0 | 4B | 98 BPM | ||
| Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
| Ma mère l'oye, Ballet, M. 62: I. Prélude | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | G Major | 0 | 9B | 90 BPM | ||
| Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
| Pulcinella Suite: II. Serenata - Live | Igor Stravinsky, New York Philharmonic, Kurt Masur | D Minor | 6 | 7A | 123 BPM | ||
| Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
| Variations on a theme of Frank Bridge, Op. 10: VI. Bourrée classique | Benjamin Britten, English Chamber Orchestra | D Major | 2 | 10B | 103 BPM | ||
| La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
| Suite de danzas criollas, Op. 15: I. Adagietto pianissimo | Alberto Ginastera, Simon Cohen, Jerusalem Symphony Orchestra, Gisele Ben-Dor | G Major | 0 | 9B | 144 BPM | ||
| Symphony No. 2, Op. 132 "Mysterious Mountain": II. Double Fugue. Moderato maestoso | Alan Hovhaness, Gerard Schwarz, Royal Liverpool Philharmonic Orchestra | B Minor | 2 | 10A | 78 BPM | ||
| Gloria, FP 177: II. Laudamus te | Francis Poulenc, Britten Sinfonia, Polyphony, Stephen Layton, The Choir Of Trinity College, Cambridge | D Minor | 2 | 7A | 130 BPM | ||
| Serenade for Strings in E Minor, Op. 20: II. Larghetto | Edward Elgar, Orpheus Chamber Orchestra | A Minor | 1 | 8A | 109 BPM | ||
| Legend (The Crown of Roses) | Pyotr Ilyich Tchaikovsky, Tenebrae, Nigel Short | E Minor | 0 | 9A | 126 BPM | ||
| Organ Concerto in G Minor, FP 93: V. Tres calme. Lent | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | F Major | 0 | 7B | 169 BPM | ||
| Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): I. Act I. Opening - Interlude 1 - Interlude 2 | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | D Minor | 0 | 7A | 141 BPM | ||
| Music for Strings, Percussion & Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM | ||
| The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir) | Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala | A♭ Major | 0 | 4B | 96 BPM | ||
| Music for Strings, Percussion and Celesta, Sz. 106: 1. Andante tranquillo | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 71 BPM | ||
| The Shrove-Tide Fair | Igor Stravinsky, Robert Groslot, Brussels Philharmonic, Ali Rahbari | C Major | 5 | 8B | 81 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op. 61: Finale. Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, The Monteverdi Choir, Frankie Wakefield, Alexander Knox, Ceri-lyn Cissone | E Major | 0 | 12B | 176 BPM | ||
| Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| A Fugal Concerto, Op. 40, No. 2: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | C Minor | 1 | 5A | 88 BPM | ||
| Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM | ||
| Requiem, Op. 9: V. Pie Jesu (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Patricia Bardon | A♭ Major | 0 | 4B | 79 BPM |