"Grey Goes Black" by Mark Lanegan had its release date on August 21, 2015. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Mark Lanegan's "Houston Publishing Demos 2002" album is number 6 out of 12. The popularity of Grey Goes Black is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Grey Goes Black by Mark Lanegan to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jesus of Nothing | Soulsavers | D♭ Major | 10 | 3B | 125 BPM | ||
| Follow Me an Angel | The Walkabouts | G Minor | 4 | 6A | 75 BPM | ||
| Crème Brûlée | King Hannah | B Minor | 4 | 10A | 148 BPM | ||
| Get Lucky | The Twilight Singers | B♭ Major | 7 | 6B | 116 BPM | ||
| Angels | Black Mountain | E Minor | 5 | 9A | 176 BPM | ||
| She Don't Have to Be Good to Me | Stuart A. Staples | D Major | 5 | 10B | 148 BPM | ||
| Monkey | Low | G Major | 5 | 9B | 116 BPM | ||
| Not Yet | The Veils | E Minor | 8 | 9A | 108 BPM | ||
| Amethyst | Low | D Minor | 1 | 7A | 106 BPM | ||
| Ricochets | Torn Sail, Mark Lanegan, E.R. Thorpe | E♭ Major | 2 | 5B | 85 BPM | ||
| Open Eyes | Nev Cottee | A Major | 9 | 11B | 127 BPM | ||
| One Hundred Days | Mark Lanegan | G Major | 5 | 9B | 84 BPM | ||
| Emmaline | Urge Overkill | G Major | 2 | 9B | 94 BPM | ||
| We Have Met Before | The Gutter Twins | A Minor | 9 | 8A | 104 BPM | ||
| We Haven't Turned Around | Gomez | E Major | 4 | 12B | 122 BPM | ||
| Serpentine | dEUS | B Minor | 2 | 10A | 110 BPM | ||
| This Magic Moment | Lou Reed | E Major | 6 | 12B | 110 BPM | ||
| Funeral Song | Brad | E Major | 4 | 12B | 121 BPM | ||
| Loved So Little | Matt Berninger | E Major | 6 | 12B | 92 BPM | ||
| St Louis Elegy | Mark Lanegan | A Major | 4 | 11B | 156 BPM | ||
| Forevermore | Thurston Moore | F Minor | 9 | 4A | 125 BPM | ||
| It's so True | Spain | D Major | 1 | 10B | 109 BPM | ||
| A Grave Is A Grim Horse | Steve Von Till | D Major | 4 | 10B | 179 BPM | ||
| The Adversary | Crime & the City Solution | E Minor | 5 | 9A | 115 BPM | ||
| Bring It Back Gentle | Desert Sessions | C Major | 5 | 8B | 143 BPM |