Dan Cugnet's ' "Ticking Clock" was released on its scheduled release date, November 9, 2022. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 12 in Badlands II by Dan Cugnet. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Ticking Clock is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Ticking Clock by Dan Cugnet is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Devil of Copper County | Deadman's Hill Band | G Major | 5 | 9B | 172 BPM | ||
| Saskia's Song | Tom Speight | G Major | 7 | 9B | 116 BPM | ||
| You Can Come Over | Camilla Larsen | E Minor | 8 | 9A | 150 BPM | ||
| Hollow Legacy (Champion) | Medieval Confessions | G Major | 5 | 9B | 160 BPM | ||
| Stone In Your Heart | Felicity Urquhart and Josh Cunningham | G Major | 7 | 9B | 116 BPM | ||
| When It Gets Real | Carrie Welling | D Major | 5 | 10B | 113 BPM | ||
| Just Not Today | Scott Sean White, Helene Cronin | A♭ Major | 2 | 4B | 154 BPM | ||
| Just Be Happy | Tony Cook | G Major | 7 | 9B | 164 BPM | ||
| STRING MEMORIES | ARMANDO BASILIO | G Major | 7 | 9B | 116 BPM | ||
| Graveyard of Promises | LUMII PAKEL | A Major | 2 | 11B | 114 BPM | ||
| Rail | Bendikeson | G Major | 7 | 9B | 116 BPM | ||
| Bury me beneath the Willow | Rachel Goode | G Major | 7 | 9B | 116 BPM | ||
| After The Storm | Patsy & Dave, James Blundell | A Major | 6 | 11B | 132 BPM | ||
| Norwood | Joanna Bronson | G Major | 7 | 9B | 116 BPM | ||
| Nothing Without You | Begrudgingly Hailey | F Minor | 2 | 4A | 128 BPM | ||
| That's the way I always have been | Ella Etlinger | G Major | 7 | 9B | 116 BPM | ||
| Bring it Back to Me | JP Watkins, Jon Chadwick | A Major | 4 | 11B | 91 BPM | ||
| No More of Those Toos | Studio8 | G Major | 7 | 9B | 116 BPM | ||
| Rust | Doctor Krarly | E♭ Major | 4 | 5B | 79 BPM | ||
| Why Milwaukee | Chip Taylor | E Major | 1 | 12B | 131 BPM | ||
| Trouble in Mind | Slaw | A Minor | 3 | 8A | 114 BPM | ||
| Wesley J. Brown | Dan Cugnet | D Major | 5 | 10B | 84 BPM | ||
| What If | Kezia Gill | G Major | 7 | 9B | 116 BPM | ||
| Tradition and Drought | Dan Cugnet | G Major | 7 | 9B | 116 BPM | ||
| Without giving up | Don Redmon | D Major | 4 | 10B | 129 BPM |