Arcangelo Corelli, Academy of St. Martin in the Fields, Sir Neville Marriner's ' "Concerto grosso in F, Op.6, No.9: 1. Preludio: Largo" was released on its scheduled release date, January 1, 1974. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 10 out of 46 in Corelli: Concerti Grossi, Op.6 by Arcangelo Corelli, Academy of St. Martin in the Fields, Sir Neville Marriner. Concerto grosso in F, Op.6, No.9: 1. Preludio: Largo is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Concerto grosso in F, Op.6, No.9: 1. Preludio: Largo by Arcangelo Corelli, Academy of St. Martin in the Fields, Sir Neville Marriner is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Quantz: Flute Concerto in G Major, QV5:174: I. Allegro assai | Johann Joachim Quantz, Emmanuel Pahud, Kammerakademie Potsdam, Trevor Pinnock | G Major | 2 | 9B | 116 BPM | ||
| Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 99 BPM | ||
| Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
| Sonata in A Minor, QV 2:41a/b: IV. Allegro | Johann Joachim Quantz, Ensemble Zefiro, Alfredo Bernardini | F♯ Minor | 3 | 11A | 105 BPM | ||
| Concerto for Recorder and Flute in E Minor, TWV 52:e1: Largo | Georg Philipp Telemann, Daniel Rothert, Elke Martha Umbach, Cologne Chamber Orchestra, Helmut Müller-Brühl | B Minor | 3 | 10A | 145 BPM | ||
| Torelli : Concerto for Strings in G major Op.6 No.1 : III Adagio | Giuseppe Torelli, Ivor Bolton, St. James Baroque Players | F♯ Major | 0 | 2B | 79 BPM | ||
| Dardanus Suite, RTC 35A, Act I: Rigaudons I & II | Jean-Philippe Rameau, Indianapolis Baroque Orchestra, Barthold Kuijken | F♯ Major | 1 | 2B | 93 BPM | ||
| Violin Concerto No. 3 in A Major, Hob. VIIa:3: II. Adagio moderato | Joseph Haydn, Augustin Hadelich, Kolner Kammerorchester, Helmut Müller-Brühl | C Minor | 1 | 5A | 111 BPM | ||
| Concerto Grosso No. 3 in F Major: IV. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 168 BPM | ||
| Concerto Grosso In F Major, Op. 6, No. 6 : IV. Vivace | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | F Major | 2 | 7B | 105 BPM | ||
| Overture (Suite) In C Major, TWV 55: C6: II. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | C Major | 2 | 8B | 124 BPM | ||
| Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | ||
| Overture No. 6 in B-Flat Major: III. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 1 | 2B | 117 BPM | ||
| Concerto grosso No. 1 in A Major: I. Adagio (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 81 BPM | ||
| Viola Concerto In G Major, TWV 51:g9: I. Largo | Ladislav Kyselák, Capella Istropolitana, Georg Philipp Telemann | G Major | 1 | 9B | 144 BPM | ||
| The Fairy Queen Z 629: Hornpipe In G Minor | Henry Purcell, Arcangelo, Jonathan Cohen | F♯ Major | 0 | 2B | 162 BPM | ||
| 6 Sonates en symphonies, Op. 3, Sonata No. 1: III. Gigha. Allegro | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Minor | 2 | 11A | 80 BPM | ||
| Concerto grosso in D Major, Op. 6, No. 4: IV. Allegro | Arcangelo Corelli, The English Concert, Trevor Pinnock | D♭ Major | 2 | 3B | 75 BPM | ||
| Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
| Sonata for flute and basso continuo in A Major: I. Adagio | Johann Friedrich Agricola, Emmanuel Pahud | A Major | 1 | 11B | 113 BPM | ||
| Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
| Hasse: Serpentes ignei in deserto: Introduzione: II. Fugue | Johann Adolf Hasse, Thibault Noally, Les Accents | A Major | 2 | 11B | 83 BPM | ||
| Overture (Suite) In G Minor, TWV 55: G4: III. Les Irresoluts | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 1 | 6A | 82 BPM | ||
| Concerto Grosso in C Minor, Op. 2, No. 2: I. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 107 BPM | ||
| Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D Minor | 2 | 7A | 122 BPM |