Richard Ashcroft's 'Running Away' had a release date set for January 1, 2002. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Richard Ashcroft's "Human Conditions" album is number 8 out of 11. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Running Away's popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Running Away by Richard Ashcroft to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Late in the Day | Supergrass | A Minor | 5 | 8A | 86 BPM | ||
| Old Man | James McCartney | D Major | 7 | 10B | 130 BPM | ||
| Alone, Jealous and Stoned | Secret Machines | E Major | 7 | 12B | 124 BPM | ||
| Feeling Oblivion | Turin Brakes | A Major | 9 | 11B | 129 BPM | ||
| The Sweetest Noise | The Freelance Hellraiser, Gary Lightbody | C Major | 8 | 8B | 172 BPM | ||
| Call My Name | HAERTS | B♭ Major | 5 | 6B | 84 BPM | ||
| Science Of Silence | Richard Ashcroft | C Major | 6 | 8B | 168 BPM | ||
| I Want Everything | Luke Dick | A♭ Major | 4 | 4B | 80 BPM | ||
| See These Bones | Nada Surf | F♯ Major | 8 | 2B | 130 BPM | ||
| The Changingman | Paul Weller | F Major | 7 | 7B | 114 BPM | ||
| Writings On The Wall | The Album Leaf | D Minor | 6 | 7A | 102 BPM | ||
| Love Knows How to Fight | M. Craft | C Minor | 4 | 5A | 129 BPM | ||
| Return to Me | Matthew Ryan | A♭ Major | 7 | 4B | 90 BPM | ||
| If I Found Out | Athlete | F Major | 7 | 7B | 103 BPM | ||
| What Time Do You Call This? | Elbow | G Major | 8 | 9B | 93 BPM | ||
| Second Bite Of The Apple | Beady Eye | G Major | 8 | 9B | 112 BPM | ||
| I've All I Need | Liam Gallagher | D♭ Major | 8 | 3B | 114 BPM | ||
| Velvet Morning | Richard Ashcroft | A Major | 5 | 11B | 87 BPM | ||
| Best Not to Think About It | Athlete | D Major | 5 | 10B | 90 BPM | ||
| The Water Lets You In (“Bloodline” Main Title Theme) [Extended] | Book of Fears | G Major | 4 | 9B | 110 BPM | ||
| Your Sweet Voice | The Reindeer Section | G Major | 4 | 9B | 124 BPM | ||
| Brand New Start | Paul Weller | G Major | 5 | 9B | 93 BPM | ||
| Mid November | Johnathan Rice | D Major | 7 | 10B | 120 BPM | ||
| Walk Into The Sun | Dirty Vegas | D Major | 8 | 10B | 147 BPM | ||
| Gettin' High | Ian Brown | C Major | 9 | 8B | 143 BPM |