"Hear What I Feel" by Joan La Barbara had its release date on 1974. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Voice Is the Original Instrument by Joan La Barbara. The song's track number on the album is #2 out of 11 tracks. In terms of popularity, Hear What I Feel is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Hear What I Feel by Joan La Barbara has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Hear What I Feel being at 93 BPM, the half-time would be 46 BPM with a double-time of 186 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Buddha - version 2 | Julius Eastman, Emmanuel Jacob Lacopo, Amelya N.S.H. | E♭ Major | 0 | 5B | 60 BPM | ||
| Moscow Is in the Telephone | Christian Erik Frederickson, Jason Bingham Noble, Rachel Grimes, Rachel's | E Minor | 2 | 9A | 61 BPM | ||
| Being Time | Reganbogen | A Minor | 0 | 8A | 113 BPM | ||
| 12 Nocturnes: No. 10, 304 Sterne in einem kleinen Fenster | Bent Sørensen, Katrine Gislinge | G Major | 0 | 9B | 71 BPM | ||
| The Wind in High Places: II. Maclaren Summit | John Luther Adams, JACK Quartet | D Major | 1 | 10B | 103 BPM | ||
| Music for 18 Musicians: Pulses | Steve Reich | F♯ Minor | 6 | 11A | 101 BPM | ||
| Pulsar 167 - En Vivo | Jimmy Herrera, Juan María Alfredo Herrera | D Major | 3 | 10B | 108 BPM | ||
| Five Might Slip | Evan Shornstein, Will Epstein | D♭ Major | 2 | 3B | 68 BPM | ||
| Three Piano Pieces, Op. 11: Massig | Arnold Schoenberg, Paul Jacobs | A Major | 0 | 11B | 144 BPM | ||
| Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: III | Morton Feldman, Ensemble Recherche | D Major | 0 | 10B | 136 BPM | ||
| Quatuor pour la fin du Temps: III. Abîme des oiseaux | Olivier Messiaen, Dominic Desautels | G Major | 0 | 9B | 71 BPM | ||
| Göreme: III. The Mirror - Live performance on May 20, 2010 | Markku Klami, Patrik Kleemola | A♭ Major | 2 | 4B | 105 BPM | ||
| Niezwyciężonym: IId. Walka o niepodległość, Nawała bolszewicka 1920 | Tomasz Trzcinski | E Minor | 4 | 9A | 76 BPM | ||
| The Resurrection of Christ | Thomas de Hartmann | A Minor | 0 | 8A | 104 BPM | ||
| Poème Electronique | Edgard Varèse | A♭ Major | 0 | 4B | 70 BPM | ||
| Solitude | Jun Miyake | G Major | 0 | 9B | 71 BPM | ||
| Clear Communication | Amber Dawn Hilton | E♭ Major | 5 | 5B | 107 BPM | ||
| Car Cleveland | John Lurie | G Major | 0 | 9B | 51 BPM | ||
| Music For Mallet Instruments, Voices And Organ - Snippet | Steve Reich, Russ Hartenberger, Bob Becker, Tim Ferchen, Glen Velez, Ben Harms, James Preiss, Janice Jarrett, Joan La Barbara, Jay Clayton, Steve Chambers | D Major | 2 | 10B | 128 BPM | ||
| Freedom to Concieve .II. | of Catharsis | G Major | 0 | 9B | 71 BPM | ||
| New York Counterpoint: I. Fast | Steve Reich, Evan Ziporyn | F♯ Major | 3 | 2B | 83 BPM | ||
| 2 Studies on Ancient Greek Scales (Arr. J. Schneider for Guitar & Harp): No. 1, Olympos' Pentatonic | Harry Partch, Just Strings | C Major | 1 | 8B | 79 BPM | ||
| Minipulsars, Pt. 2: Bing 4 | Tomasz Trzcinski | D Minor | 3 | 7A | 82 BPM | ||
| 8 Fish Eyes | The Chitinous Ensemble | F Major | 3 | 7B | 137 BPM | ||
| Piano & Violoncello 13 | Irena And Vojtech Havlovi | C Minor | 1 | 5A | 66 BPM |