"Concerto For English Horn And String Orchestra, Op. 137: I. Con fantasia" by Vincent Persichetti, Thomas Stacy, String Orchestra of New York had its release date on January 1, 1995. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Three Concerti for English Horn". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Concerto For English Horn And String Orchestra, Op. 137: I. Con fantasia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto For English Horn And String Orchestra, Op. 137: I. Con fantasia by Vincent Persichetti, Thomas Stacy, String Orchestra of New York having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Adoration (Arr. for Wind Ensemble by Cheldon Williams) - Live | Florence Beatrice Price, Alexander W. Dreyfoos School of the Arts Wind Ensemble, Robert Carnochan, Dr. Robert Carnochan | A♭ Major | 4 | 4B | 142 BPM | ||
| Symphony No. 6, Op. 69, "Symphony for Band": I. Adagio - Allegro | Vincent Persichetti, United States Marine Band, Michael J. Colburn | F Major | 2 | 7B | 138 BPM | ||
| Air and Bouree (arr. W.J. Bell): Bouree | Johann Sebastian Bach, William J. Bell, David Zerkel, Paolo Andre Gualdi | B♭ Major | 1 | 6B | 148 BPM | ||
| La Fiesta Mexicana: II. Mass | US Marine Band | C Major | 0 | 8B | 67 BPM | ||
| Armenian Dances: I. The Apricot Tree - The Partridge's Song - Hoy, Nazan Eem - Alagyaz - Go, Go | Alfred Reed, Otonowa Wind Symphonica | D Minor | 2 | 7A | 92 BPM | ||
| Islas y Montanas: III. Seis Manuel | Shelley Hanson, Rutgers Wind Ensemble, William Berz | B♭ Major | 2 | 6B | 79 BPM | ||
| Third Suite, III: Rondo - Robert E. Jager | Robert Jager, Tivoligarden, Svend Kragelund | G Minor | 4 | 6A | 130 BPM | ||
| Billy the Kid: No. 1, Introduction (The Open Prairie) | Aaron Copland, Colorado Symphony, Andrew Litton | D Major | 0 | 10B | 92 BPM | ||
| Los Bailes Calientes | William Owens, Wingert-Jones Wind Band, Scott Lubaroff | B♭ Major | 3 | 6B | 138 BPM | ||
| A Childhood Hymn | David Holsinger, Concordia University Chicago Wind Symphony, Richard R. Fischer | E♭ Major | 0 | 5B | 84 BPM | ||
| Rhapsody for Euphonium and Band | Jim Curnow, Koninklijk HarmonieOrkest Schelle | D Minor | 1 | 7A | 128 BPM | ||
| Kirkpatrick Fanfare | Andrew Boysen, Jr., University Of Texas Symphonic Band, Eugene Migliaro Corporon | G Minor | 1 | 6A | 137 BPM | ||
| Parable XII for Solo Piccolo | Vincent Persichetti, Jeannine Dennis | D Minor | 0 | 7A | 73 BPM | ||
| Dance Movements: II. Molto Vivo (for the woodwinds) | Philip Sparke, North Texas Wind Symphony, Eugene Migliaro Corporon | D Major | 1 | 10B | 114 BPM | ||
| Havana | Kevin Day, Murray State University Wind Ensemble, Trae Blanco | F Minor | 2 | 4A | 72 BPM | ||
| Concerto for Wind Ensemble: I. Flow | Kevin Day, ASU Wind Ensemble, Jason Caslor | A Minor | 4 | 8A | 106 BPM | ||
| Dance Movements: IV. Molto Ritmico | Philip Sparke, North Texas Wind Symphony, Eugene Migliaro Corporon | E♭ Major | 3 | 5B | 141 BPM | ||
| Sibelius: King Christian II Suite, Op. 27: III. Musette | Jean Sibelius, Scottish National Orchestra/Sir Alexander Gibson, Alexander Gibson, Scottish National Orchestra | E Minor | 1 | 9A | 77 BPM | ||
| Humoreske | Alexander von Zemlinsky, Atéa Quintet | B♭ Major | 0 | 6B | 84 BPM | ||
| Tableaux de Provence: II. Cansoun per ma Mio | Paule Maurice, Dominic Childs, Simon Callaghan | G Major | 0 | 9B | 65 BPM | ||
| Candide: IV. Glitter and Be Gay | Leonard Bernstein, University of South Carolina Wind Ensemble, Scott Weiss | B♭ Major | 3 | 6B | 122 BPM | ||
| Sonata: I. Allegro maestoso | Eric Ewazen, Jonathan Feldman, Joseph Alessi | B♭ Major | 1 | 6B | 131 BPM | ||
| Tuba Suite: II. Andante espressivo | Don Haddad, David Zerkel, Paolo Andre Gualdi | B♭ Minor | 3 | 3A | 79 BPM | ||
| Psalm Op. 53 | Vincent Persichetti, Eastman Wind Ensemble | D♭ Major | 5 | 3B | 123 BPM | ||
| First Suite in E-Flat Major, Op. 28 No. 1, H. 105: I. Chaconne | Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon | E♭ Major | 0 | 5B | 87 BPM |