Macbeth's ' "The White Line Rules" was released on its scheduled release date, January 1, 1994. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Macbeth's "Mac Beth III." album is number 4 out of 11. On top of that, Czechia appears to be the country where this track was created. Based on our statistics, The White Line Rules's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of The White Line Rules by Macbeth to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| All Alone | The Sins Of Thy Beloved | G Major | 6 | 9B | 124 BPM | ||
| Legacy in Blood | Vampiria | D Major | 7 | 10B | 87 BPM | ||
| Eden | On Thorns I Lay | A Minor | 6 | 8A | 130 BPM | ||
| The Sleeping Beauty | Tiamat | A Major | 8 | 11B | 80 BPM | ||
| Lady of the Wall | Coronatus | B♭ Minor | 6 | 3A | 96 BPM | ||
| The Prophetess | Penumbra | D Major | 9 | 10B | 76 BPM | ||
| My Angel | Crowhead | F♯ Minor | 8 | 11A | 117 BPM | ||
| Pure Treasure | Macbeth | B Minor | 5 | 10A | 90 BPM | ||
| Orchidfire | Flowing Tears | C Major | 9 | 8B | 170 BPM | ||
| Jade | Flowing Tears | A♭ Major | 7 | 4B | 106 BPM | ||
| Spell | Cadaveria | G Major | 10 | 9B | 89 BPM | ||
| Martyrium | Evereve | A Minor | 6 | 8A | 92 BPM | ||
| Why so Lonely | The Third And The Mortal | E Minor | 2 | 9A | 171 BPM | ||
| Dreams | Amederia | E♭ Minor | 10 | 2A | 122 BPM | ||
| Decadence Deepens Within | Mortemia, Liv Kristine | E Minor | 9 | 9A | 140 BPM | ||
| Angina | Tristania | B Minor | 9 | 10A | 108 BPM | ||
| Pictures of Strive | Darkwell | G Major | 9 | 9B | 120 BPM | ||
| The One I Once Was | Mortemia | G Major | 9 | 9B | 100 BPM | ||
| Ladykiller | The Foreshadowing | F♯ Major | 9 | 2B | 100 BPM | ||
| Ginger | Xandria | G Minor | 6 | 6A | 126 BPM | ||
| Stay with me | Asrai | D Minor | 9 | 7A | 124 BPM | ||
| Touch In The Dark | Asrai, Sascha Paeth | E Minor | 6 | 9A | 125 BPM | ||
| De la morte noire (Chapter IV) | Haggard | C Major | 6 | 8B | 112 BPM | ||
| In a Pale Moon´s Shadow (Chapter III) | Haggard | E Minor | 4 | 9A | 147 BPM | ||
| Death-Hymn | The Third And The Mortal | G Major | 4 | 9B | 87 BPM |