On 2001, the song "One 2 A.M. Too Many" was released by Dr. John. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 14 in Creole Moon by Dr. John. In terms of popularity, One 2 A.M. Too Many is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of One 2 A.M. Too Many by Dr. John is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| North County Woman | Doug MacLeod, Denny Croy, Dave Kida, Carl Sonny Leyland | D Major | 5 | 10B | 120 BPM | ||
| The Forecast (Calls For Pain) | The Robert Cray Band, The Memphis Horns | D Minor | 8 | 7A | 91 BPM | ||
| A Woman Or The Blues | Curtis Salgado | G Minor | 9 | 6A | 91 BPM | ||
| Nobody's Fault But Mine | Robert Cray, The Robert Cray Band | A Major | 8 | 11B | 98 BPM | ||
| Who's the Old Guy Now | Ben Sidran | G Minor | 6 | 6A | 111 BPM | ||
| Goin' Back to New Orleans | Dr. John | B♭ Minor | 7 | 3A | 97 BPM | ||
| Sharon | David Bromberg | A Major | 6 | 11B | 97 BPM | ||
| Clean My House | Marcia Ball | F Minor | 9 | 4A | 104 BPM | ||
| You're Killing My Love | Otis Rush | F♯ Major | 7 | 2B | 177 BPM | ||
| Trick Bag | Earl King, Sam Charters | G Major | 6 | 9B | 146 BPM | ||
| Everything That 'Cha Do (Will Come Back To You) | Wet Willie | F Major | 6 | 7B | 99 BPM | ||
| Don't Drive Drunk | A.C. Reed | G Major | 9 | 9B | 190 BPM | ||
| Back Porch Therapy | Tony Joe White | E Major | 3 | 12B | 99 BPM | ||
| Watermelon Time | Marcia Ball | B♭ Major | 8 | 6B | 91 BPM | ||
| Ho-Di-Ko-Di-Ya-La-Ma-La | Anders Osborne | G Major | 7 | 9B | 106 BPM | ||
| Arkansas | Larry McCray | E Major | 9 | 12B | 89 BPM | ||
| Misunderstood | Carolyn Wonderland | C Major | 8 | 8B | 110 BPM | ||
| Had My Reasons | Anders Osborne | D Major | 7 | 10B | 141 BPM | ||
| Common Ground | Tommy Castro, The Painkillers | G Major | 8 | 9B | 122 BPM | ||
| Hot | Robert Cray | D♭ Major | 8 | 3B | 79 BPM | ||
| I'd Rather Be Blind, Crippled, And Crazy | Peter Wolf | D Major | 7 | 10B | 172 BPM | ||
| Move Back To Mississippi | Anders Osborne | D Major | 5 | 10B | 135 BPM | ||
| Even The Saved Need Saving | Selwyn Birchwood | E Major | 9 | 12B | 204 BPM | ||
| Stealin' | Dr. John | D Minor | 4 | 7A | 79 BPM | ||
| How Come My Dog Don't Bark (When You Come Around) | Dr. John | D Minor | 6 | 7A | 108 BPM |